The Master Review

Normally when it comes to a movie as broad, brilliant and enveloping as The Master, it takes me multiple viewings to really appreciate exactly how extraordinary that which has been bestowed before me actually is. Every passing moment of The Master just served as a reminder of its overall excellence. As I sat and watched this film it was hard not to realize that what I was watching was nothing short of a modern masterpiece.

The Master is just a prime example of a movie that gets everything right. Paul Thomas Anderson is one of the greatest filmmakers to have ever existed and he proves that here again with his sixth film. Since his creation of the epic that is Boogie Nights, Anderson has turned out nothing but masterpieces. The Master is just another Paul Thomas Anderson masterpiece that was completely captivating during every single solitary second of the film.

As with all Paul Thomas Anderson movies, there is no shot out of place. He has such a grace to the way he makes film and with There Will Be Blood and The Master, it seems that Anderson has really come into his own as the masterful storyteller he is. Every single dynamic shot is just breathtaking to look at. There is such purpose to every choice Anderson makes. He knows his characters and his vision and with confidence he just does what he does best and tells a story.

The Master tells a mesmerizing and honest tale about the relationship between two men, Freddie Quell and Lancaster Dodd. Freddie is quite the peculiar character. He’s a drifter and a follower. He’s a confused man who acts on impulse and he sticks to what he knows; fighting, drinking, sex and the sea. He’s finding his way in a post-war world, which leads to a chance meeting with one Lancaster Dodd. Dodd is a leader. Quite literally, he is the “master” of his very own religious following entitled The Cause. Unlike Freddie Quell, Lancaster Dodd is very confident and sure of himself. He is the kind of man who people listen to, whereas Quell is the kind of man who listens. The relationship of these two men is at the heart of this extraordinary drama about choice and control.

The two men are completely different characters and both are played to perfection. From the moment you meet Lancaster, there’s just this enigmatic aura to him. Philip Seymour Hoffman makes it so the character seems important and every line he utters is just another testament to his patience, power and importance. It’s rare for the film to have a scene without its troubled protagonist Freddie Quell and Joaquin Phoenix just became his character. The confused drifter is so incredibly defined through writing and the greatest performance of an amazing actor’s career.

Paul Thomas Anderson is one of the greatest directors to have ever made a film and it’s an honor just to watch one of his movies because he really puts his all in it. The Master is his latest masterpiece and with each of his new masterpieces, he brings something new and spectacularly special to the table. He wouldn’t make a movie if he didn’t have something to say and with The Master he says a lot. It’s a film that spoke to me instantly and as I said before, such a beautiful piece of art must be appreciated overtime. I look forward to doing just that, but for now I can call it what it is, a masterpiece.

Grade: A+

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Top Six Paul Thomas Anderson Movies

With just the creation of six films, Paul Thomas Anderson has solidified himself as one of the greatest directors in existence. If his career in filmmaking were to end right now it would still be one the most enigmatic, beautiful, poignant and spectacular careers that will have ever been crafted. I could watch any one of his six films at any time and be completely happy. He’s made six spectacular films, five of which I would consider masterpieces and that’s all there is to it. This is a list celebrating him and his illustrious career.

6. Hard Eight

It just amazes me that I’m putting Hard Eight last on my list. This is how you debut a career in filmmaking. Anderson regular, Philip Baker Hall, gives his career best performance as protagonist Sydney with John C. Reilly doing just as great as usual. It’s completely consistent of Anderson to have rich and incredibly-well written characters. You’ll find exactly those kind of characters in Hard Eight. I would expect nothing but a truly spectacular movie from Anderson and that’s exactly what my least favorite Paul Thomas Anderson movie is.

5. Magnolia

Paul Thomas Anderson was quoted as to saying that for better or worse Magnolia will probably be the best film he’ll ever make. Where as I hate to disagree with such a genius, I do. Magnolia is just as much of a masterpiece as my top three on this list, but I did have to decide on an order and this is where Magnolia falls for me. This examination of life and the oddities there in is nothing short of breathtaking. The film offers one of the greatest ensemble casts ever and it goes without saying, but the direction is outlandishly good. Magnolia simply proves that Anderson is a director without boundaries.

4. Boogie Nights

With Boogie Nights, Paul Thomas Anderson offers a movie that is as character-driven and riveting as Raging Bull, almost as epic as Apocalypse Now and as fun as your average Quentin Tarantino movie. That’s quite a feat on its own, but when you add the fact that it’s a film tracking the rise and fall of the porn industry between the 70s and 80s, the idea of it is rather ridiculous. Boogie Nights tells a timeless tale and does so with unrelenting gusto. It’s hard not to be seduced by the world that Anderson has laid out in front of you and once I was consumed by it, I was left speechless right up until the credits rolled. Boogie Nights is an extravaganza of the things that make for a truly classic film and the best way to describe the experience is unforgettable.

3. Punch-Drunk Love

Punch-Drunk Love offers up one of the greatest cinematic love stories ever told and one as only Paul Thomas Anderson could tell. It definitely does not need to be said, but I’ll say it anyways; this is by far Adam Sandler’s best performance and none of his movies even come close to being as fantastic. Punch-Drunk Love tells such a beautiful story of contempt and the defying ability of love, that the idea of  artful direction could fall as a moot point. Instead Paul Thomas Anderson takes the beautiful story he’s crafted for himself and creates the masterpiece that it truthfully deserved to be. Punch-Drunk Love usually falls by the wayside and is eclipsed by his other films, but I love the film and I always will.

2. The Master

The Master tells the tale of a confused and troubled man, a drifter, who’s looking for his way after World War II. The drama ensues with a chance meeting with Lancaster Dodd. That is his name, but it becomes apparent that the title more often used to refer to Dodd is “Master”. He is an enigmatic man, he’s likable, he’s articulate, and there’s a sense of power to him. He is the master of his own religious movement. However, this eloquent tale deals with a lot broader themes than just religion.

The Master is a masterpiece. It’s Anderson’s sixth and latest film and at this point it’s as if I can expect nothing less than a masterpiece from this brilliant artist. The always spectacular Joaquin Phoenix gives his career best performance as Freddie Quell, while Lancaster Dodd is also portrayed flawlessly by Philip Seymour Hoffman. The film centers around the relationship of these two characters. One is a leader and one is a follower and the two characters are utilized to tell a chilling and beautiful tale of obedience and control.

1. There Will Be Blood

Paul Thomas Anderson is a master of his craft and one of my favorite directors working today, but it’s with There Will Be Blood where he proves himself to be one the greatest directors of all time. Some may call Punch-Drunk Love his best and I could see a lot (or most) of people calling either Boogie Nights or Magnolia his best. No matter how much I love Anderson’s other masterpieces, there was never a doubt in my mind that I would call There Will Be Blood his best film.

In Paul Thomas Anderson’s magnum opus you’ll find the greatest character study ever put on film. The word ruthless was never as evident than when the character Daniel Plainview was on screen (which was practically the entirety of the film). He’s conniving, cruel, vindictive, monstrous, and he’s the protagonist. Daniel Plainview is a character so gloriously layered and so distinctively dissected that only a truly masterful performance would have sufficed. Daniel Day-Lewis offers that and more in one of the greatest performances in the history of film.

There Will Be Blood is extraordinary in every sense of the word. It is the most flawless film in Anderson’s career of spectacular movies. Every detail is meticulously slaved over and what results is a film that is gorgeous in its scope and a masterpiece that showcases film as the art form it is. There Will Be Blood is above all else, a perfect movie that serves as a testament to the true prowess of its creator.

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