Comedies for me are very hit or miss. I, like almost everyone, do love the occasional comedy from time to time. There are a lot of comedies out there that, regardless of how much you laugh, are only focused on just that; making you laugh. These comedies don’t really care about the characters and the story their shaping. It’s always refreshing to see a movie that can be considered a comedy and be so so much more. Midnight in Paris is just that kind of movie.
Yes,Woody Allen’s latest film is funny, but Midnight in Paris can best be described as charming and sweet. In a story about a writer who finds out on his vacation to Paris that at Midnight he can travel to and experience the zest and company of the roaring 20s you get a portrait of love and the ability to start over. It’s an interesting tale and one that could’ve fell flat, but instead the concepts were taken seriously and they are fresh, appealing, and it all completely works.
The film is stacked with great performers such as Kathy Bates, Adrien Brody, Rachel McAdams, Michael Sheen and even the marvelous Marion Cotillard. It was an absolute pleasure to watch Owen Wilson in a more serious role as the lovable, yet wimpish protagonist. Like the actors, practically everything from the camera work to the score just fits. It was a very meaningful, but fun watch.
It’s always nice to watch a shorter film that’s actually very good because most truly good films have to be over 2 hours to tell their stories. Midnight in Paris doesn’t tell too little or too much, it tells just the right amount. There’s only so much you can do with a story about a man who continues to travel back in time to have a good time in the 1920s and Midnight in Paris never feels boring so it obviously did its job and did it admirably. Midnight in Paris isn’t a very challenging movie and it’s not a film that will change you, it is however a well made film that will make you smile.