Top Ten Movie Fights

Alright, I think it’s finally time I made this list. A while back I made a list of my Top Ten Movie Gun Fights, but now it’s time for my list of the greatest fights in film. By fights I mean anything other than guns, whether that be swords, bats, rocks, or yes, fists. For most of the fights I tried to keep it to mano a mano, but I made some exceptions I felt I needed to. I also tried to keep it so a film could only make the list once even though things would slightly change otherwise. I wanted to make a definitive list that shows exactly how I feel about fights in film. These are the ones I love…

10. Oh Dae-Suh vs. Henchmen (Oldboy)

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In a work of tour de-force filmmaking, Chan-wook Park crafts one of the greatest fights in film. Our protagonist on a gritty journey of vengeance is trapped in a tight hallway with a number of heavily armed henchmen whom he does battle with single handedly. The camera never takes it’s eye off the action and never changes it’s shot as we venture down the hall through all the carnage. It quenches blood thirst and showcases truly great filmmaking.

9. Jake LaMotta vs. Sugar Ray Robinson (Raging Bull)

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Raging Bull is Martin Scorsese’s raw and brutal masterpiece of man, a boxer no less. Where his violent tendencies are helpful in the ring, the same can’t be said about his life outside of what he was born to do. The greatest scene in the film takes place between the protagonist Jake LaMotta and his boxing rival Sugar Ray Robinson. In their final fight Robinson may be announced the winner, but after seeing this brilliant scene, I leave it up to you. Who really won?

8. Rick Deckard vs. Roy Batty (Blade Runner)

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Rick Deckard is a Blade Runner who loses his gun and falls prey to the powerful and philosophical replicant, Roy Batty. Roy toys wit him the whole time before showing him the value of life. Who is Deckard to take it away? What makes a human a human? Roy delves into this after proving his worth over Deckard’s. Their final meeting in the rain on the rooftops is what makes Blade Runner the glorious and profound masterpiece that it is.

7. Maximus vs. Commodus (Gladiator)

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Gladiator takes it’s viewers on one of the most epic and satisfying journeys ever filmed. We follow Roman General Maximus as he falls into slavery eventually making his way into the Colosseum as gladiator. The climax of Maximus’ beautiful quest comes in form of a sword fight between the heroic gladiator, Maximus and the pretentious scum that is the Emperor of Rome, Commodus. It’s impossible not to love Maximus and hate Commodus. To see them finally clash swords is breathtaking.

6. King Kong vs. T-Rex (King Kong)

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In order to protect Ann Darrow, the mighty Kong does battle with a troupe of ferocious T-Rex. This is just a beautiful realization of the magic of movies. We feel for this giant ape and his character, he’s a protector here and we root for this mighty beast to conquer over these flesh-craving fiends. The scene is just awesome. It grabs hold of you and puts you in that theater again as a kid, a kid just sitting back and taking it all in. Peter Jackson’s King Kong is an unspoken epic and this moment is a testament to its excellence.

5. Arthur vs. Projections (Inception)

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Inception is one of the most memorable and fascinating movies ever made. You’d be hard pressed to find a moment in the film as memorable as the now classic hallway scene. Arthur is left to fend for himself in the second level of dreams and he’s very able to hold his own against Fisher’s trained projections. Fighting becomes an interesting task when you’re not only fighting on the ground, but on the ceiling, the walls and in the air. Christopher Nolan holds no punches in his reality-bending, science fiction masterpiece.

4. Obi-Wan Kenobi vs. Darth Vader (Star Wars Episode III: Revenge of the Sith)

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The Star Wars saga doesn’t particularly hold a special place in my heart. I enjoy Star Wars and I always will, but I’ll always be more of a Lord of the Rings man myself. My favorite Star Wars movie is actually Revenge of the Sith and the reason is this scene. This is far and away the greatest lightsaber fight ever filmed. Not only is it an extravagant action scene that thrills with every passing second, it also has the emotional gravity. This is a master and an apprentice fighting for their lives. It was all leading to this and the spectacular scene makes Revenge of the Sith the only redeeming quality of the atrocious new trilogy.

3. Batman vs. Ra’s Al Ghul (Batman Begins)

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Like slot number four, this scene also follows a fight between a master and an apprentice, but it’s far more beautiful here. Ra’s Al Ghul is personally responsible for the training of the warrior that would become Batman. Ghul believes in a less merciful brand of justice than Batman does and their differences lead them to a train and the greatest scene in Batman Begins. Ra’s Al Ghul is a fantastic character and the relationship between him and Batman is established flawlessly. It all culminates to their final confrontation and it is miraculous.

2. The Bride vs. Bill (Kill Bill)

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Kill Bill is Quentin Tarantino’s perfectly epic, blood-soaked and gorgeous tale of revenge. There is one thing that our protagonist needs and it’s in the title of the movie. A bloodlust drives our deadly hero and she will stop at nothing to accomplish her goal. As I said before I didn’t want to use two different fights from the same movie and take up two spots. If I had I certainly would’ve had the Showdown at the House of Blue Leaves on this list, but it’s basically just tied for the second slot of the greatest fights in film with the fight the entirety of the four-hour epic is leading to, The Bride’s confrontation with Bill. Like all brilliant Tarantino scenes, tension is built through dialogue and the payoff is extraordinary.

1. Batman vs. Bane (The Dark Knight Rises)

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There are two fights between Batman and Bane in The Dark Knight Rises that exemplify the war that is waged between these two titans throughout the entire movie. The two fights themselves represent the two greatest fights in film. If I had to pick one, I’d lean towards the beautiful war in the snow in which the stakes are made clear and hope triumphs over despair. Don’t get me wrong however, the scene in which Bane breaks the Bat far surpasses any movie fight I’ve seen, but as I said I would I choose one. Their first encounter is drawn out and brutal as Bane inflicts as much pain and damage on Batman as he can before literally breaking him (physically and mentally). When Batman conquers over Bane in the end, Batman doesn’t have that time. It’s a battle of efficiency and realism. Batman has faced this monster of a man before, he’s gone through a journey since and it’s the result of this fight that decides the fate of Gotham. It’s the greatest fight in all of film.

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Top Ten Dark Knight Legend Characters

The story that Christopher Nolan has told with The Dark Knight Legend (or The Dark Knight Trilogy) is the pinnacle of storytelling. It is the greatest ever told and no great story is complete without rich and vibrant characters. The Dark Knight Legend easily offers some of the most incredible characters ever realized. The agenda of this list is simple, to pay respect to the awesome characters that make up the greatest story ever told. Here are my favorites.

10. Talia Al Ghul

Upon first meeting Miranda Tate you come to realize what a kind soul she is and how fitting it is for her to be Bruce Wayne’s love interest. By the end when hope prevails and Batman triumphs over the monstrous Bane. All hope is lost when the vindictive villain, Talia, reveals herself to the now heart-broken Bruce Wayne. She is daugher to Ra’s Al Ghul and wants nothing more than her fathers legacy fulfilled and Batman to perish.

9. Alfred Pennyworth

If you’re looking for the heart and soul of this entire dark and emotive legend, look no further than Bruce Wayne’s wise butler, Alfred J. Pennyworth. For whenever Bruce Wayne’s journey seems perilous, Alfred does what he can to keep our hero on the right path. It must be difficult for Alfred to watch someone he cares for like his own child go out and sacrifice himself every night. He deals with every situation as it comes with wisdom and grace.

8. Harvey “Two Face” Dent

The Dark Knight tells a flawless tale about good and evil. The prominent backbone of this powerful story is one of a man. Harvey Dent’s journey from charming and brave “White Knight” into the vicious killer “Two Face”. By the end of this story were made to believe that this hero goes on a murderous rampage and it completely works. Dent is broken down as a man and consumed by evil. He’s given every reason to turn wicked so it only makes sense that he does.

7. Ra’s Al Ghul

I could not comprehend better renditions of these characters and the same goes for Liam Neeson’s astounding portrayal of the leader of The League of Shadows, Ra’s Al Ghul. Even though he ends up being the prime antagonist in Bruce Wayne’s journey into becoming the greatest hero the world has ever known, he is the man responsible for training man who would become Batman. Where the two men differ is in the ways the choose to dispense justice.

6. Robin “John” Blake

From the moment he walks on screen to the final shot and defining shot of the legend, Blake epitomizes the idea of a man who can take up the cape and cowl of Batman. “You should use your full name. I like that name, Robin.” From that moment on it was fully realized that Nolan had done with the character, Robin, what he had done with every character he adapted from Batman lore. He captured the essence of the character while realistically applying him to his own legend as man who could take up Batman’s mantle.

5. Catwoman

Selina Kyle is the perfect love interest for Batman and though she’s never given the nomenclature in the film but, Selina Kyle is Catwoman. A thief by necessity, Catwoman loves this dark persona she’s created for herself and the life she leads, but the ground is shrinking beneath her. She needs a way to start her life of crime over, but Bruce Wayne sees the good in her and it’s love that proofs he’s right. She tries so hard to show this mysterious darkness in her, but at the end of the day she can’t deny the undeniable fact that she’s a hero.

4. Commissioner Jim Gordon

Since long before Bruce Wayne became the now legend that is Batman, James Gordon was fighting the good fight in a war on injustice. And ever since Batman Began, Gordon has been there with him on the battlefield. He is law and order personified and we watched him grow as we watched Batman grow, in Gordon’s case from Sergeant to Commissioner. Gordon was recruited by Bruce Wayne even before the man that would become Batman put on the cape and cowl and he’s been there since the end. Gordon and Batman represent a friendship based solely on two mens need to turn fear on those who prey on the fearful.

3. Batman

In becoming the legend known only as Batman, Bruce Wayne is the greatest hero ever crafted making him one of the greatest characters in film.”Anyone could be Batman, that was the point.” Not only as Batman, is Bruce on a quest against evil. He’s also a symbol for hope in a world filled with injustice and despair. Batman is good for the sake of being good and he does the right thing because it’s the right thing do and not only that, he will do everything in his power and battle until his last breath to do just that. This entire legend is a tale of heroism and though the journey was arduous the hero at the centre of this masterpiece is a knight and legend known as Batman.

2. Bane

Bane completely envelops the idea of despair and his name is incredibly fitting as he is the Bane of Batman. While The Joker is pure evil fighting against all that is good, Bane is battling to torture and extinguish the hero of our story who fights for all that is good. He was born in darkness and by the end of a battle between our hero he is consumed by animosity towards the hero of the story even to the point of denying the dying wish of the only person he’s ever loved. “We both know I have to kill you know. You’ll just have to imagine the fire,” he says before putting a shotgun to Batman’s head. Bane is an intimidating and emotionless brute force, one the greatest villains in film and one of the greatest characters in existence.

1. The Joker

The twisted, dark and chaotic anarchist, The Joker, is like Batman in the way that he is a symbol. There is an undeniable balance between Batman and The Joker in the way the way that while both fight for something, they are polar opposites. Whereas Batman fights to his last breath for all that is good, The Joker fights for and would die for all that is evil. Batman is a symbol for good and The Joker is a symbol for evil and the continuos battle between the two is poetic and beautiful.

The Joker is the epitome of evil and the greatest villain ever created. What Christopher Nolan has done is crafted a perfect and definitive story of an icon. With Heath Ledger at the helm, what is fully realized in The Joker is the greatest character of all time.  A story is nothing without a conflict overcome and more often than not conflict is personified in one character we call a villain. Behind the quirks, charisma, entertainment that The Joker offers as the clown he is, no villain could ever be as purely evil as The Joker.

Top Ten Movie Villains

Movie villains are the backbone of the entire art form. Too often villains go unrecognized for just how important they are. Without villains there are no stories, no conflict, no drama, you get the picture. Of course there are exceptions, but I love a good villain. Usually the case is, the better the villain the better the movie. This is a list of my favorite villains in all of film.

There are many cases where the antagonist of the story is actually more interesting than the protagonist and even when that’s the case, I’m a sucker for watching a hero triumph over a villain. I took a lot into account when I made this list, but I’d have to say the order and choices were mainly based on a combination of the enjoyment I have watching the villain on screen and the actual malevolence of the character. Well, here it is.

10. Ra’s Al Ghul (Batman Begins)

Ra’s Al Ghul is the leader of The League of Shadows and the mentor to the greatest hero in existence, Batman. In a way, they both want to save the world. Bruce Wayne studied under the tutelage of The League of Shadows because he was seeking the means to fight injustice. Where Batman and Ra’s Al Ghul differ is in the way Batman, as a hero should, sets himself apart from the villains whereas Ghul believes in necessary evil.

9. Bill the Butcher (Gangs of New York)

Martin Scorsese’s epic about the early remnants of a city focuses largely on one of the most intense and cruel figures in the history of cinema, Bill “The Butcher” Cutting. Daniel Day-Lewis plays the character flawlessly and with fervor.    His lust for  power is matched only by a love for his country and the freedom it represents. Gangs of New York is a vengeance story and to watch protagonist Amsterdam finally smite Bill the Butcher is incredibly satisfying.

8. Amon Goeth (Schindler’s List)

Never have the senseless and discouraging crimes against humanity performed by the Third Reich ever been more personified in film than with Ralph Fiennes’ portrayal of Amon Goeth in Steven Spielberg’s magnum opus, Schindler’s List. This a film about the ability and will to do good. Amon Goeth represents the contradiction to this idea. He’s commanding, blood-thirsty and completely apathetic towards his actions.

7. Jack Torrance (The Shining)

I say Jack Torrance, but I more so mean the evil pumping through the veins of The Overlook Hotel that eventually forces sane writer/father, Jack Torrance’s transformation into a crazed/axe-wielding murderer. The first sequence in the bar where both Torrance and The Overlook Hotel show their true colors serves as a solemn warning for the horrific oddities that have yet to transpire. All work and no play make Jack a dull boy and one of the greatest villains in film.

6. Hannibal Lecter (The Silence of the Lambs)

In a gorgeous performance, Anthony Hopkins supremely captures the essence and soul of an incredibly intelligent serial killer who not only murders his victims, but eats them. The grotesque violence that the character is capable of can only be spotted in a single scene of the film, but even during the moments where he’s only staring, you can still feel the gravity of just how despicable the character at hand actually is. He probably gets the least screen time of any villain on this list, but he is easily one of the greatest in the history of film.

5. Silva (Skyfall)

Raoul Silva (formerly Tiago Rodriguez) is the most sinister and formidable opponent James Bond will ever acquire. This isn’t some cackling, conniving or cat-petting villain bent on world domination. Silva wants one thing and one thing only, M. He’s a former MI6 agent, M’s “favorite” at his time of service before he was betrayed. He loves M if only because she gives him purpose and hates her for what she’s created in him. He’s a showman and he has fun doing what he does and he’s one of them, he knows all the tricks. Silva is a mastermind, he’s flamboyant, he’s malevolent and he’s completely deranged.

4. Anton Chigurh (No Country for Old Men)

Confident, cold, calculating, silent, creative, determined and soulless. These are just a few words that can be used to describe the brutal killer, Anton Chigurh. His weapons of choice are a cattle gun and a sawed-off shotgun fit with a foot-long silencer, but a pair of hand cuffs would do just fine for this man who will stop at nothing to reach his goals. “People always say the same thing” Chigurh says to a young woman who tells him he doesn’t have to kill her. This is a situation he’s been in before and it’s one he’ll be in again. Killing for him is just as easy as waking up. He is death incarnate in the Coen Brothers’ poetic masterpiece of crime and violence.

3. Col. Hans Landa (Inglourious Basterds)

Col. Hans Landa is Nazi Officer, but he is so much more depraved than any other member of the Third Reich. Unlike the officers and foot soldiers who whole-heartedly believe Adolf Hitler’s poisonous words, Col. Landa is merely a Colonel of the S.S. because he knows it’s in his best interest. He’s a sly detective and easily earns himself the nickname, The Jew Hunter. At the end of the day however, he doesn’t care about the Third Reich’s plot for world domination. He cares about his own personal gain and if that means betraying his entire country than so be it. He just bleeds malevolence whether he’s drinking a glass of milk or strangling someone to death. Hans Landa isn’t evil because he’s a Nazi, he’s a very evil man who happens to wear a Nazi uniform.

2. Bane (The Dark Knight Rises)

Bane can be looked at as the absence of hope. A meeting with Bane, let alone a fight with Bane, would result in anyone’s demise. He’s strategic, tactical, he speaks with intelligence and eloquence, but at the same time he is a complete brute. The mask he wears makes it so he can survive an unbearable pain, but it also serves as a signature look and a reminder of how emotionless and inhumanly evil this man can be.

In order to exact his torture of Batman and the city of Gotham, Bane places himself in a seat of power. He’s a revolutionary warlord, he’s his own General and he’s his own greatest soldier. This is a highly demanding performance and not just physically. Tom Hardy plays the character to perfection. Bane is supremely fearsome, intimidating and though he has a strict regiment and plot, there is no denying his admiration for death and destruction.

1. The Joker (The Dark Knight)

The Joker is unlike any other movie character and villain in the way that he epitomizes pure evil. The Joker is always smiling because there is never a dull moment where he is not doing exactly what he wants, instilling evil into the world. As the dark, crusading, creature of the night Batman is good for the sake of being good. The Joker, a gleeful and colorful clown, is evil for the sake of being evil.

The Joker burns a mountain of money just show exactly how much he doesn’t care about the idea of a motive. “Do I really look like a guy with a plan?” he says to the White Knight, Harvey Dent. Even when faced with opportunities to kill the heroes of the story, he instead attempts to reveal their true colors by giving them opportunities to kill him. He would gladly die doing what makes him happy.

Heath Ledger gave the greatest performance of all time as the darkest and most “unstoppable force” ever portrayed. Despite the fact that The Joker is so fiercely evil, he is very charismatic in the way he is also a clown. Ledger utilizes this trait in creating not only the greatest villain, but the greatest character in all of film. There didn’t need to be some kind of origin story or flashbacks to when The Joker was young. All there was in The Dark Knight was a showcasing of the constant battle between the forces of good and the forces of evil. Anything less or more would have taken away from the perfection.

The Dark Knight Rises Review

I have never been more excited for a movie than I was for The Dark Knight Rises. I loved every single solitary second of Batman Begins and The Dark Knight. The Dark Knight Rises was the sequel to my favorite movie and the definitive end to what I could easily call my favorite series. My wild expectations were exceeded with the masterpiece that is The Dark Knight Rises, because with this epic Christopher Nolan has crafted the perfect ending for the perfect story.

The endings of both Batman Begins and The Dark Knight offered resolution, but Gotham wasn’t saved the way Bruce Wayne had set out to save it as the symbol for good, Batman. They weren’t happy endings, but they did offer hope for brighter days. Hope is a large undertone of The Dark Knight Rises mainly because all of it is dashed with the emergence of a new threat against Gotham, Bane.

Bane is an intelligent brute force and he is the most intimidating presence I’ve ever seen depicted. He’s a revolutionary tyrant (although there’s more to his agenda), he’s his own General and he’s his own greatest soldier. Bane has never been more appropriately titled than he was in The Dark Knight Rises because what Christopher Nolan and Tom Hardy have created is the bane of Batman’s existence and the good he’s meant to inspire. There is a poetic and constant battle between a symbol for good and a symbol for evil in The Dark Knight, but unlike The Joker, Bane has a plan and it involves destroying Batman and everything he cares for. However, The Dark Knight Rises isn’t just simply about Batman’s struggle against Bane, a story like that had already been told.

Batman Begins told the perfect hero’s journey, it was a tale about one man, Bruce Wayne and his journey to becoming a true hero, Batman. The Dark Knight was about good and evil and the balance the two offer, Batman and The Joker. The Dark Knight Rises, however, is about the beating heart of a city. It is a sweeping epic that utilizes every character we’ve come to know and love and manages to introduce a few more incredibly fundamental pieces to the puzzle in order to tell a story of hope, triumph and the heroism that can only be described as legendary.

The Dark Knight Rises was filled with talent on and off the screen. Tom Hardy who gave a magnificent and very physical performance as Bane wasn’t the only new cast member. There was the always brilliant Marion Cottillard, the extraordinary Joseph Gordon-Levitt and Anne Hathaway who offers the flawless performance of what should be considered the greatest and definitive Catwoman. Wally Pfister, again takes to the camera (apparently for the last time) and Hans Zimmer finishes what he started in the first two and with The Dark Knight Rises, Zimmer offers in The Dark Knight Legend the greatest score in film. Every recurring actor offers easily their best performance of the series, including Christian Bale as a Batman past his prime.

The Dark Knight Rises accomplishes the monumental task of beginning flawlessly and only getting better as the film progresses. As the stakes and tension rise so to does your involvement in the story and then the ending is fully realized. The Dark Knight Rises offers nothing short of the greatest ending in film. The word epic was never fully understood until I was able to finish watching The Dark Knight Rises. With this film, you’re being thrust into so many different events and characters it’s almost hard to take it all in, but when put in the hands of a story teller of this caliber, you can’t expect anything less than a miracle.

Christopher Nolan, with the help of his cast and crew, did exactly what he set out to do. He masterfully weaved together what he had done with Batman Begins and The Dark Knight and told the ending his story deserved and needed. And that is nothing short of miraculous. The heroic character that Nolan and Bale have slaved over has gone through quite the journey and every journey has to come to an end.

The Dark Knight Rises is that end. Ever since I was able to witness The Dark Knight four years ago, I called it my favorite movie, but upon seeing The Dark Knight Rises I realized that the two are right on par with each other. Batman Begins is just as flawless, but because it is a simple origin story that absolutely needed to be told the exact way it was told it wasn’t able to touch on the complexities, themes and emotions that The Dark Knight and The Dark Knight Rises are able to delve into. My favorite word to describe a movie that I love is, and I don’t use it lightly, masterpiece. However, that doesn’t seem like enough for this trilogy. The Dark Knight Legend is not only the greatest movie ever created, it’s the greatest story ever told.

Grade: A+

Top Ten Movie Deaths

I pondered for a while about how to preface this list, but its pretty self-explanatory. Death is a pretty beautiful thing when it comes to cinema. There are deaths in film that, when due to great performances, direction and writing, you get unbearably powerful moments. This is a list of those deaths. This is a list dedicated to my favorite deaths in film because of their meaning and power, not necessarily the ones that are remembered in cinema history as classics, such as the shower scene in Psycho or King Kong falling off the Empire State Building. While those are amazing moments in film, they just didn’t affect me like the deaths in this list.

 

!!!SPOILER ALERT!!!

 

 

!!!IF YOU HAVEN’T SEEN ONE OF THE MOVIES LISTED, DON’T READ INTO IT!!!

 

 

!!!SPOILER ALERT!!!

 

10. John Doe (SE7EN)

There aren’t many moments that you can truly say, based on their content, leave you gasping for air. The death of the villain, John Doe, in SE7EN is undoubtedly one of those moments. We never see this character until the end of the movie, but nevertheless, we fear him. We get to know the detectives on the case and we keep guessing what the end could be. What we do get is fantastically dark and real. If you’re looking for a prime example of a villain winning, this is it.

9. Ra’s Al Ghul (Batman Begins)

The death of Bruce Wayne’s mentor and eventual enemy is an undeniably memorable one. What makes this death such a spectacular one is in the way that the wise leader of the league of shadows attempts to gain dignity from his death with the line “Have you finally learned to do what is necessary?” He’s trying to show that he’s actually taught the man known as Batman very well. Batman shows the true colors of both characters with his reply, “I won’t kill you, but I don’t have to save you.”

8. Lester Burnhum (American Beauty)

What makes Lester Burnhum’s death so awesome isn’t the actual death itself. Lester’s death is made significant based on the events before and the magnificent final monologue of the movie. You find out right in the beginning that this character we’re being introduced to is going to die by the end. It’s not the “what” that we’re interested in because we know what’s going to happen, what we are concerned about are the “who” and the “why”. We get the answers we need and few things in film are as pleasing.

7. Tyler Durden (Fight Club)

Fight Club is one of my favorite films in general so it was really a no-brainer when it came to putting the stunning death of one the greatest characters in film on this list. The relationship between the Narrator and Tyler Durden is one of the most special and interesting ever filmed. Throughout Fight Club we get to know these characters and know them well. By the end we know what has to happen and the death of the final scene which results in the death of Tyler Durden completely blows me away  every single time.

6. Frank (Once Upon a Time in the West)

It seems that because of Sergio Leone’s brilliant film, “The Good, the Bad and the Ugly”, his other masterpiece, “Once Upon a Time in the West”, is often overlooked. I do slightly prefer “The Good, the Bad and the Ugly”, but there is one aspect of “Once Upon a Time in the West” that is better and that is in the black-hearted villain, Frank. He’s one of the most despicable villains ever filmed and there are few moments in film that are as satisfying as the realization of the extent of his wrath and his immediate death right afterwards. Truly breathtaking cinema.

5. Maximus Decimus Meridius (Gladiator)

At the heart of the epic film Gladiator is a tale of well-deserved revenge. We fall in love with the protagonist Maximus and we grow to hate the villainous basterd he’s aiming to kill. Now that begs the question, why wouldn’t I put the satisfying death of the villain Commodus on this list? The reason is because the more emotionally powerful death belongs to Maximus Decimus Meridius. Yes, Commodus needs to die and burn in hell, but now Maximus’ mission is complete. His death was necessary because now he can go live in peace with his son and daughter in the afterlife.

4. Little Bill Daggett (Unforgiven)

Unforgiven is a western centered on the two characters William Munny and Little Bill Daggett. Throughout this masterfully crafted film we learn the true natures of both characters and learn that the line between right and wrong isn’t always clear. Not till the very end of the film do the two characters finally meet and the better man is established. “I’ll see you in hell William Munny,” Little Bill says with pure honesty and hate in his eyes and before William Munny fires the final fatal bullet into Little Bill’s head, he replies with a sorrowful, “Yeah”. It’s one of those moments in film that make movies worth watching.

3. Roy Batty (Blade Runner)

“I’ve seen things you people wouldn’t believe…” is the start of one of the greatest movie quotes ever put one screen and the beginning of the final words of the character Roy Batty. Blade Runner is a film that asks many of life’s big questions, but those questions don’t come to true and beautiful light until the final encounter between protagonist Rick Deckard and philosophical replicant Roy Batty. It’s the most powerful scenes in film.

First, Roy just toys with his advisory and when Rick tries to escape by hopping to another rooftop he isn’t able to make it and nearly dies. The true nature of the character Roy is shown when he is able to make the jump easily and save Rick, but not before he puts Deckard’s mission in life into perspective, with the line “Quite an experience to live in fear isn’t it? That’s what it is to be a slave. Then he utters his memorable final words and reaches the end of his time.

2. Col. Walter E. Kurtz (Apocalypse Now)

Apocalypse Now is, without a shred of doubt, a staple in the art of filmmaking. While, the death of Col. Walter E. Kurtz is a triumph all its own. The main character, Captain Willard, is sent on a mission deep into cambodia in order to find and terminate a renegade Colonel who has taken command over the locals. We are taken on a journey into the true meaning of madness and on the way our anticipation grows like Captain Willard and all we want to do is finally meet Col. Kurtz.

Because of a truly brilliant performance by Marlon Brando, every single line Kurtz utters is memorable and resonant. That goes especially for one of my favorite movie quotes, his powerful last words, “The horror, the horror.” On my first viewing of the film, right at that moment I thought to myself, “this is one of the greatest films ever made”. And it truly is. From the beginning, Apocalypse Now promises an amazing climax and gives you just that. It was difficult for me not to put this in the number one slot.

1. Bill (Kill Bill)

Look back at numbers 3 and 2 of this list and you’ll notice that they share something with number 1. All three movies have generally simple tales, sure like all great filmmakers they establish deeper meanings, but the structure is simple. Rick Deckard, a retired Blade Runner is sent on a mission to kill four replicants (androids) led by Roy Batty, Captain Benjamin Willard is sent into Cambodia to kill Col. Kurtz and Beatrix Kiddo is out for revenge against her former boss and lover Bill.

From the beginning, we know, if we are to be satisfied that is, that Roy Batty, Col. Kurtz and Bill will die. There are many examples of films where we know what might happen at the end, but we want to know how our hero will get there and how exactly they’ll do the deed, whether its Frodo throwing the ring of power into Mt. Doom or Batman saving Gotham from the evil clutches of the Joker. In this case, we’re talking about deaths in film and no death is as magnificent and significant as the death of Bill in the 4-hour-epic Kill Bill.

What makes Bill’s death profound, innovative and beautiful is the unconditional love shared between the two warriors. Their fight is inevitable and both, Bill and Beatrix, realize that one is going to die, while the other will live on, but that doesn’t mean they still can’t care for one another. And in the end, Bill isn’t stabbed or shot, no, that wouldn’t satisfy. Instead Beatrix perform’s something called the five point palm exploding heart technique, which makes your heart explode from the inside after you take five steps. This allows him to have a few words with the love of his life, take a deep breath, button his coat and walk with dignity to the greatest movie death in film history.