Alright, I think it’s finally time I made this list. A while back I made a list of my Top Ten Movie Gun Fights, but now it’s time for my list of the greatest fights in film. By fights I mean anything other than guns, whether that be swords, bats, rocks, or yes, fists. For most of the fights I tried to keep it to mano a mano, but I made some exceptions I felt I needed to. I also tried to keep it so a film could only make the list once even though things would slightly change otherwise. I wanted to make a definitive list that shows exactly how I feel about fights in film. These are the ones I love…
10. Oh Dae-Suh vs. Henchmen (Oldboy)
In a work of tour de-force filmmaking, Chan-wook Park crafts one of the greatest fights in film. Our protagonist on a gritty journey of vengeance is trapped in a tight hallway with a number of heavily armed henchmen whom he does battle with single handedly. The camera never takes it’s eye off the action and never changes it’s shot as we venture down the hall through all the carnage. It quenches blood thirst and showcases truly great filmmaking.
9. Jake LaMotta vs. Sugar Ray Robinson (Raging Bull)
Raging Bull is Martin Scorsese’s raw and brutal masterpiece of man, a boxer no less. Where his violent tendencies are helpful in the ring, the same can’t be said about his life outside of what he was born to do. The greatest scene in the film takes place between the protagonist Jake LaMotta and his boxing rival Sugar Ray Robinson. In their final fight Robinson may be announced the winner, but after seeing this brilliant scene, I leave it up to you. Who really won?
8. Rick Deckard vs. Roy Batty (Blade Runner)
Rick Deckard is a Blade Runner who loses his gun and falls prey to the powerful and philosophical replicant, Roy Batty. Roy toys wit him the whole time before showing him the value of life. Who is Deckard to take it away? What makes a human a human? Roy delves into this after proving his worth over Deckard’s. Their final meeting in the rain on the rooftops is what makes Blade Runner the glorious and profound masterpiece that it is.
7. Maximus vs. Commodus (Gladiator)
Gladiator takes it’s viewers on one of the most epic and satisfying journeys ever filmed. We follow Roman General Maximus as he falls into slavery eventually making his way into the Colosseum as gladiator. The climax of Maximus’ beautiful quest comes in form of a sword fight between the heroic gladiator, Maximus and the pretentious scum that is the Emperor of Rome, Commodus. It’s impossible not to love Maximus and hate Commodus. To see them finally clash swords is breathtaking.
6. King Kong vs. T-Rex (King Kong)
In order to protect Ann Darrow, the mighty Kong does battle with a troupe of ferocious T-Rex. This is just a beautiful realization of the magic of movies. We feel for this giant ape and his character, he’s a protector here and we root for this mighty beast to conquer over these flesh-craving fiends. The scene is just awesome. It grabs hold of you and puts you in that theater again as a kid, a kid just sitting back and taking it all in. Peter Jackson’s King Kong is an unspoken epic and this moment is a testament to its excellence.
5. Arthur vs. Projections (Inception)
Inception is one of the most memorable and fascinating movies ever made. You’d be hard pressed to find a moment in the film as memorable as the now classic hallway scene. Arthur is left to fend for himself in the second level of dreams and he’s very able to hold his own against Fisher’s trained projections. Fighting becomes an interesting task when you’re not only fighting on the ground, but on the ceiling, the walls and in the air. Christopher Nolan holds no punches in his reality-bending, science fiction masterpiece.
4. Obi-Wan Kenobi vs. Darth Vader (Star Wars Episode III: Revenge of the Sith)
The Star Wars saga doesn’t particularly hold a special place in my heart. I enjoy Star Wars and I always will, but I’ll always be more of a Lord of the Rings man myself. My favorite Star Wars movie is actually Revenge of the Sith and the reason is this scene. This is far and away the greatest lightsaber fight ever filmed. Not only is it an extravagant action scene that thrills with every passing second, it also has the emotional gravity. This is a master and an apprentice fighting for their lives. It was all leading to this and the spectacular scene makes Revenge of the Sith the only redeeming quality of the atrocious new trilogy.
3. Batman vs. Ra’s Al Ghul (Batman Begins)
Like slot number four, this scene also follows a fight between a master and an apprentice, but it’s far more beautiful here. Ra’s Al Ghul is personally responsible for the training of the warrior that would become Batman. Ghul believes in a less merciful brand of justice than Batman does and their differences lead them to a train and the greatest scene in Batman Begins. Ra’s Al Ghul is a fantastic character and the relationship between him and Batman is established flawlessly. It all culminates to their final confrontation and it is miraculous.
2. The Bride vs. Bill (Kill Bill)
Kill Bill is Quentin Tarantino’s perfectly epic, blood-soaked and gorgeous tale of revenge. There is one thing that our protagonist needs and it’s in the title of the movie. A bloodlust drives our deadly hero and she will stop at nothing to accomplish her goal. As I said before I didn’t want to use two different fights from the same movie and take up two spots. If I had I certainly would’ve had the Showdown at the House of Blue Leaves on this list, but it’s basically just tied for the second slot of the greatest fights in film with the fight the entirety of the four-hour epic is leading to, The Bride’s confrontation with Bill. Like all brilliant Tarantino scenes, tension is built through dialogue and the payoff is extraordinary.
1. Batman vs. Bane (The Dark Knight Rises)
There are two fights between Batman and Bane in The Dark Knight Rises that exemplify the war that is waged between these two titans throughout the entire movie. The two fights themselves represent the two greatest fights in film. If I had to pick one, I’d lean towards the beautiful war in the snow in which the stakes are made clear and hope triumphs over despair. Don’t get me wrong however, the scene in which Bane breaks the Bat far surpasses any movie fight I’ve seen, but as I said I would I choose one. Their first encounter is drawn out and brutal as Bane inflicts as much pain and damage on Batman as he can before literally breaking him (physically and mentally). When Batman conquers over Bane in the end, Batman doesn’t have that time. It’s a battle of efficiency and realism. Batman has faced this monster of a man before, he’s gone through a journey since and it’s the result of this fight that decides the fate of Gotham. It’s the greatest fight in all of film.
Recently, my best friend took some time, thought for a while, and eventually performed the liberating task of making a list of his top 25 favorite movies. I made one a while ago, Top 25 Movies. It’s quite the experience to establish to yourself exactly what movies you love and just how much you love them. My friend made his list and I thought it would be fun to post his list of favorite movies just to show a differing opinion. Part of the fun of movies is discussing them and what they mean and it’s all subjective so why not look into someone else’s cinematic opinion?
25. The Silence of the Lambs
The Silence of the Lambs is a modern classic. It’s a dark and thrilling movie about murder and the mind. The Silence of the Lambs tells the tale of an ambitious FBI in training as she tracks the whereabouts of a psychotic killer. However, the killer you become more fascinated by is the intelligent, charming, and sinister, Dr. Hannibal Lecter. In order to catch her killer, Clarice Sterling gets into the mind of a one through Anthony Hopkins’ chilling Hannibal “The Cannibal” Lecter.
24. The Shining
The Shining is a masterpiece of a horror movie and an epic as only Stanley Kubrick could make. It’s a fascinating haunted house story that makes you feel as isolated and uneasy as its main characters. As the evil that is The Overlook Hotel subtly consumes a family, you can’t help but be enthralled by the madness and the drama. The Shining offers an unreal and completely memorable experience that makes for arguably the greatest horror movie ever made.
23. Schindler’s List
It’s a hard task to deny that Steven Spielberg is an incredible director. There may be movies he’s made that you don’t enjoy, but the man has made many movies. Schindler’s List is “the beard’s” greatest feat. It’s a dark and poignant masterpiece that tells a story as inspiring as they come while enveloping a definitive story of the darkest point in history. It’s some how able to be realistic and operatic. It’s a flawless and prominent film that was crafted by a man who knows how to make good movies.
Amadeus is just one of those classic art house films. It has all the makings a masterpiece in it’s beautifully epic tale of rivalry, obsession and artistry. Structured to perfection, an old, bitter rival of Wolfgang Amadeus Mozart recounts the “murder” of Mozart himself. It’s a vast excursion into music through mystery. It’s also about a devotion to one’s craft. Behind this dark drama of murder, there’s quite the witty side to Amadeus, but more importantly a thrilling side. You really become consumed by the magic of it all.
21. One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo’s Nest is one of the most inspirational pieces of cinema ever crafted. The futile, yet necessary battle between the free spirited R.P. McMurphy and the tyrannical Nurse Ratched is a thrilling one. It is very much a story about freedom and a fighting the want to simply conform. Randle McMurphy is quite the fish out of water when it comes to the tight shift the Mildred Ratched runs. He sure as hell isn’t going to stand idly by and let the man get him down and change him or his new friends from the fun-loving people they are.
Skyfall is tells the greatest story that will ever be told about one of the most iconic characters in all of fiction, James Bond. This is, in part, due to the fact that Skyfall touches on so much more than just a story about 007. Skyfall tells a beautiful constructed tale of duty and betrayal, past mistakes and future consequences, the old and the new, but in its simplest form Skyfall is a movie about a hero and a villain. Daniel Craig’s raw and perfect turn as a grizzled Bond proving his worth even after so many missions really meets his match against the slithery and savage, Silva (Javier Bardem in another flawless portrayal as a villain).
19. Kill Bill
Quentin Tarantino’s Kill Bill is one the most memorable epics ever filmed. It’s a blood-soaked masterpiece about love and revenge. Any chance he gets as he tells his most epic tale of all, Tarantino pays homage to the samurai, kung-fu and even spaghetti western movies that he loves and respects to no end. Kill Bill is exciting and poetic. It’s a simple enough tale of vengeance and it’s told to perfection. We are brought on a very hectic journey and we know where it will lead but it’s hard not to enjoy the ride until you get there and when you do get there, there aren’t that many movies that are as satisfying.
Ridley Scott is often associated with the science fiction genre. He has defined and redefined the genre with some of the masterpieces he’s made. Scott’s sword and sandal epic, Gladiator, is arguably his greatest feat. The general who became a slave, the slave who became a gladiator and the gladiator who defied an empire is quite the striking story. Maximus is the kind of hero you want to watch prevail while his nemesis, Commudus is the kind of villain you want dead. Gladiator is a through and through a story of not just revenge, but justice.
17. Boogie Nights
Through a timeless tale of rise and fall, Paul Thomas Anderson explores the porn industry (70s through 80s) and its own rise and fall. It was with Boogie Nights that Paul Thomas Anderson began his reign of masterpieces. Boogie Nights was the first of five flawless, and very different, films. Boogie Nights is filled to the brim with vivid characters and memorable moments. It’s a colorful, yet dark film that’s hard not to be consumed by. Paul Thomas Anderson is just a man who knows how to make extraordinary movies and Boogie Nights is a perfect example of his expertise.
Inception is a masterpiece through and through. With a fantastic cast on his side, the brilliant Christopher Nolan tells a beautiful story of grief and redemption all while crafting an exhilarating science fiction setting where true reality is always in question. The setting for Inception is that of dreams and this world that Nolan has confidently explored is one that’s hard not to visit and revisit over and over again. Inception is a beautiful drama filled with vibrant characters and perfectly executed action sequences. It’s a compelling film that both entertains and makes you think from beginning to end.
15. The Social Network
2010 was an incredible year in film and arguably the greatest movie to come out of that year was The Social Network. Using the story of Facebook, David Fincher delves into broad themes of morality and betrayal what is easily one of the greatest films ever made. The Social Network tells a compelling human story that’s unmissable. Fincher defines a generation of technology and punks. It’s a film that manages to establish itself as a classic before it even passes the test of time. There’s no question I’ll be watching this movie in years to come. The Social Network is masterpiece in every way.
14. The Godfather (Part I +II)
The character arcs of the father and son that make up for the masterpiece that is The Godfather (Part I + II) are two of the greatest in film. The Godfather just tells this perfect story about family, while The Godfather Part II is more about character and the tragedy of Michael Corleone is fully realized. It utilizes the gangster genre, yet it’s so much more. Francis Ford Coppola was just ahead of his time in terms of how good he could make a movie, he proves that with this dark and operatic drama. The story is a powerful one and worthy of every bit of praise.
13. The Departed
Martin Scorsese is simply one of the greatest filmmakers to have graced this planet. He’s made countless masterpieces and The Departed is his greatest feat. The Departed tells a flawless intertwining tale of cops and criminals. It’s completely gritty, it’s relentlessly enjoyable and poetic. Leonardo DiCaprio gives an extraordinary performance while Jack Nicholson chews through every scene he’s in. Martin Scorsese has told many stories of crime, but never did he tell one so masterfully. The Departed is an unforgettable masterpiece through and through.
12. Apocalypse Now
Francis Ford Coppola’s Vietnam epic is the greatest film he’s ever made. Captain Benjamin Willard is a sent to kill Walter E. Kurtz, a rogue Colonel who has fancied himself a god among the aborigines in Cambodia. We’re brought down the river with Willard and we learn more and more about Kurtz along the way, the anticipation to his first appearance is palpable as we go deeper and deeper into the heart of darkness. Apocalypse Now is a masterpiece about life’s journey and madness.
11. There Will Be Blood
The dark, emotive and gorgeous There Will Be Blood just barely misses his top ten movies of all time. There Will Be Blood was created by a movie mastermind. Paul Thomas Anderson hasn’t made that many movies, but every time he does he manages to make completely captivating masterpieces. He also manages to get the best performances out of his actors which is quite the accomplishment when your main character in this case is played by the great Daniel Day-Lewis. There Will Be Blood is a beautiful and archaic excursion into greed and the american nightmare as it studies the ruthless and despicable oilman, Daniel Plainview.
10. American Beauty
Kevin Spacey expertly portrays Lester Burnham, the father and center-piece of American Beauty. As he goes through a midlife crisis he slowly begins to realize how beautiful life is and how it deserves to be appreciated. Lester is just one in an assortment of characters that make up for a fantastic story of the lives of others. The film opens and you learn that Lester will die by the end, but it’s the journey that matters. The film got a well-deserved Best Picture Oscar back in 1999 and it lives on still as one of the greatest films in history. American Beauty asks you to look closer and what you find is something quite beautiful indeed.
9. Pulp Fiction
Told through vignettes, Pulp Fiction offers a mosaic of the lifestyle of criminals. Genius in its execution, Quentin Tarantino offers up the greatest gangster movie ever made. Whether you’re watch diner thieves, hitmen, a prized boxer or a crime boss’ coveted wife, it’s hard not to find endless enjoyment in the oddity of it all. Tarantino has crafted a puzzle piece of a movie filled with imagination and innovation. Many have attempted what he did, but nothing ever came close to Quentin’s vastly original and gorgeous masterpiece.
8. Fight Club
Fight Club defines a bored generation and the insanity that can result from that boredom. Our narrator needs something more out of life. He can’t just go through the motions anymore, he’s lifeless and he can’t take it anymore. Thus begins Fight Club and a chance meeting with the charismatic Tyler Durden. Tyler Durden is chaos incarnate. What begins as brawling to release angst eventually leads to rising anarchy. There’s a Tyler Durden in all of us and to attempt to hide that fact is futile and only serves to drive yourself crazy. Fight Club is cerebral, pertinent and entirely fascinating.
7. Django Unchained
Quentin Tarantino can do no wrong. With his seventh directorial outing he makes what he was always meant to make, a spaghetti western. Django Unchained also happens to be a rollicking and epic excursion through the south when slavery was still at large. The film follows a freed slave on a journey to rescue the woman he loves, now tell me that’s not a story everyone can get behind. Props also goes out to Leonardo DiCaprio for his first and riveting performance as a villain, a sadistic and slimy plantation owner. With Django and his new friend, Dr. King Schultz, Tarantino has crafted a pair of heroes of mythical status. We’re just left to enjoy the ride as in their wake the bodies pile up, villains who represent clear symbols for exactly what was horribly wrong with that point in American history.
6. The Lord of the Rings
The Lord of the Rings is the ultimate in fantasy. It has dragons, wizards, goblins, magic, a giant flaming eye on a tower and an evil ring that can only be destroyed in the dark fires of Mt. Doom where it was forged. The epic journey that unfolds and the vivid characters you meet along the way leave you awe-struck and breathless. There’s just so much to the film to appreciate; the friendships, the battles, the countless inspirational moments, the creatures, the monologues, etc. The Lord of the Rings is simply one of the greatest stories ever told and it’s told masterfully and with grace.
5. Inglourious Basterds
With Inglourious Basterds, Quentin Tarantino takes the darkest period in history and tells an epic fantasy filled with blood and bullets. Every moment is so important to the story as a whole, while each scene just commands your attention. We get to know three very different characters before their adventures culminate in a glorious final chapter that solidifies Inglourious Basterds as one of the greatest movies ever made. It’s a movie made by a man who knows what a movie can be and what a movie can be is whatever the director wants it to be. It’s a story that deserved to be told and it was told to perfection. Inglourious Basterds is just as much a piece of art as it is one of the greatest times you’ll ever have at the movies.
4. Barton Fink
Barton Fink is the unspoken Coen Brother masterpiece. Most think of Fargo, No Country for Old Men or The Big Lebowski, but Barton Fink deserves to be held right up there as one of their masterpieces. As Barton’s writers block consumes him in the Hotel Earle a friendship begins to take shape between Fink and his next door neighbor. Charlie Meadows offers a little distraction in the form of innocent conversation. This is that everyman that Barton tries to capture in his writing. Little does Barton know that there’s more going on than he initially thought. Barton Fink is a thought-provoking masterpiece.
3. No Country for Old Men
A man finds drug money, while another man pursues him. It’s a simple story of cat and mouse that used to touch on important ideas of violence and malevolence. Llewellyn Moss attempts to get away with the money, while the cunning and emotionless killer, Anton Chigurh, is hot on his trail. Wise, old Sheriff Ed Tom Bell feels helpless on the sidelines as he watches this onslaught of blood unfold. No Country for Old Men is the Coen Brothers’ magnum opus. It is directed flawlessly, every choice made with such purpose. Nothing is out of place; each shot, line, performance, scene, etc. All of them are simply perfect. No Country for Old Men is a masterpiece in every sense of the word.
Drive is proof that the way you tell your story is just as important as the story itself. It’s just this perfect clash style and substance. It’s honest, it can be brutal and it’s consistently satisfying. Our nameless and quiet protagonist progresses along in stylishly sleek and cool tale. Drive is a spectacular film about what it means to be a hero and about what drives a man to do the things he does. Ryan Gosling and Albert Brooks steal the show, but everyone is on their A-games and the includes off screen. Nicolas Winding Refn hasn’t done much, but he could’ve only made Drive and it would be hard not to consider him an extraordinary director. Drive is a masterpiece and one of the highest caliber.
1. The Dark Knight Legend
The Dark Knight Legend (or The Dark Knight Trilogy if that tastes better going down) is the greatest movie ever made. It’s filled to the brim with characters of the elemental variety to tell a vibrant, exciting and deep tale about heroism, villainy, legends, good, evil, despair, but above all else, hope. If I had to describe this single story in one word, that’s what it would be; hope. At the end of both Batman Begins and The Dark Knight there is still much work to be done, but there is hope for a better tomorrow. In The Dark Knight Rises, hope in the form of the greatest hero in existence, triumphs in the face of despair.
In Batman Begins, you get the perfect hero’s journey with a tale of how Batman became Batman. In The Dark Knight, you get the perfect story of good (Batman) and evil (The Joker (Heath Ledger gives the greatest performance in the history of film)). Then the trilogy is defined flawlessly in its last chapter as, like I said before, hope triumphs over despair. This icon is utilized to perfection to tell a real story with so much meaning and emotion. What Christopher Nolan and friends have crafted isn’t just the greatest movie in existence, but the greatest story ever told.
I pondered for a while about how to preface this list, but its pretty self-explanatory. Death is a pretty beautiful thing when it comes to cinema. There are deaths in film that, when due to great performances, direction and writing, you get unbearably powerful moments. This is a list of those deaths. This is a list dedicated to my favorite deaths in film because of their meaning and power, not necessarily the ones that are remembered in cinema history as classics, such as the shower scene in Psycho or King Kong falling off the Empire State Building. While those are amazing moments in film, they just didn’t affect me like the deaths in this list.
!!!IF YOU HAVEN’T SEEN ONE OF THE MOVIES LISTED, DON’T READ INTO IT!!!
10. John Doe (SE7EN)
There aren’t many moments that you can truly say, based on their content, leave you gasping for air. The death of the villain, John Doe, in SE7EN is undoubtedly one of those moments. We never see this character until the end of the movie, but nevertheless, we fear him. We get to know the detectives on the case and we keep guessing what the end could be. What we do get is fantastically dark and real. If you’re looking for a prime example of a villain winning, this is it.
9. Ra’s Al Ghul (Batman Begins)
The death of Bruce Wayne’s mentor and eventual enemy is an undeniably memorable one. What makes this death such a spectacular one is in the way that the wise leader of the league of shadows attempts to gain dignity from his death with the line “Have you finally learned to do what is necessary?” He’s trying to show that he’s actually taught the man known as Batman very well. Batman shows the true colors of both characters with his reply, “I won’t kill you, but I don’t have to save you.”
8. Lester Burnhum (American Beauty)
What makes Lester Burnhum’s death so awesome isn’t the actual death itself. Lester’s death is made significant based on the events before and the magnificent final monologue of the movie. You find out right in the beginning that this character we’re being introduced to is going to die by the end. It’s not the “what” that we’re interested in because we know what’s going to happen, what we are concerned about are the “who” and the “why”. We get the answers we need and few things in film are as pleasing.
7. Tyler Durden (Fight Club)
Fight Club is one of my favorite films in general so it was really a no-brainer when it came to putting the stunning death of one the greatest characters in film on this list. The relationship between the Narrator and Tyler Durden is one of the most special and interesting ever filmed. Throughout Fight Club we get to know these characters and know them well. By the end we know what has to happen and the death of the final scene which results in the death of Tyler Durden completely blows me away every single time.
6. Frank (Once Upon a Time in the West)
It seems that because of Sergio Leone’s brilliant film, “The Good, the Bad and the Ugly”, his other masterpiece, “Once Upon a Time in the West”, is often overlooked. I do slightly prefer “The Good, the Bad and the Ugly”, but there is one aspect of “Once Upon a Time in the West” that is better and that is in the black-hearted villain, Frank. He’s one of the most despicable villains ever filmed and there are few moments in film that are as satisfying as the realization of the extent of his wrath and his immediate death right afterwards. Truly breathtaking cinema.
5. Maximus Decimus Meridius (Gladiator)
At the heart of the epic film Gladiator is a tale of well-deserved revenge. We fall in love with the protagonist Maximus and we grow to hate the villainous basterd he’s aiming to kill. Now that begs the question, why wouldn’t I put the satisfying death of the villain Commodus on this list? The reason is because the more emotionally powerful death belongs to Maximus Decimus Meridius. Yes, Commodus needs to die and burn in hell, but now Maximus’ mission is complete. His death was necessary because now he can go live in peace with his son and daughter in the afterlife.
4. Little Bill Daggett (Unforgiven)
Unforgiven is a western centered on the two characters William Munny and Little Bill Daggett. Throughout this masterfully crafted film we learn the true natures of both characters and learn that the line between right and wrong isn’t always clear. Not till the very end of the film do the two characters finally meet and the better man is established. “I’ll see you in hell William Munny,” Little Bill says with pure honesty and hate in his eyes and before William Munny fires the final fatal bullet into Little Bill’s head, he replies with a sorrowful, “Yeah”. It’s one of those moments in film that make movies worth watching.
3. Roy Batty (Blade Runner)
“I’ve seen things you people wouldn’t believe…” is the start of one of the greatest movie quotes ever put one screen and the beginning of the final words of the character Roy Batty. Blade Runner is a film that asks many of life’s big questions, but those questions don’t come to true and beautiful light until the final encounter between protagonist Rick Deckard and philosophical replicant Roy Batty. It’s the most powerful scenes in film.
First, Roy just toys with his advisory and when Rick tries to escape by hopping to another rooftop he isn’t able to make it and nearly dies. The true nature of the character Roy is shown when he is able to make the jump easily and save Rick, but not before he puts Deckard’s mission in life into perspective, with the line “Quite an experience to live in fear isn’t it? That’s what it is to be a slave. Then he utters his memorable final words and reaches the end of his time.
2. Col. Walter E. Kurtz (Apocalypse Now)
Apocalypse Now is, without a shred of doubt, a staple in the art of filmmaking. While, the death of Col. Walter E. Kurtz is a triumph all its own. The main character, Captain Willard, is sent on a mission deep into cambodia in order to find and terminate a renegade Colonel who has taken command over the locals. We are taken on a journey into the true meaning of madness and on the way our anticipation grows like Captain Willard and all we want to do is finally meet Col. Kurtz.
Because of a truly brilliant performance by Marlon Brando, every single line Kurtz utters is memorable and resonant. That goes especially for one of my favorite movie quotes, his powerful last words, “The horror, the horror.” On my first viewing of the film, right at that moment I thought to myself, “this is one of the greatest films ever made”. And it truly is. From the beginning, Apocalypse Now promises an amazing climax and gives you just that. It was difficult for me not to put this in the number one slot.
1. Bill (Kill Bill)
Look back at numbers 3 and 2 of this list and you’ll notice that they share something with number 1. All three movies have generally simple tales, sure like all great filmmakers they establish deeper meanings, but the structure is simple. Rick Deckard, a retired Blade Runner is sent on a mission to kill four replicants (androids) led by Roy Batty, Captain Benjamin Willard is sent into Cambodia to kill Col. Kurtz and Beatrix Kiddo is out for revenge against her former boss and lover Bill.
From the beginning, we know, if we are to be satisfied that is, that Roy Batty, Col. Kurtz and Bill will die. There are many examples of films where we know what might happen at the end, but we want to know how our hero will get there and how exactly they’ll do the deed, whether its Frodo throwing the ring of power into Mt. Doom or Batman saving Gotham from the evil clutches of the Joker. In this case, we’re talking about deaths in film and no death is as magnificent and significant as the death of Bill in the 4-hour-epic Kill Bill.
What makes Bill’s death profound, innovative and beautiful is the unconditional love shared between the two warriors. Their fight is inevitable and both, Bill and Beatrix, realize that one is going to die, while the other will live on, but that doesn’t mean they still can’t care for one another. And in the end, Bill isn’t stabbed or shot, no, that wouldn’t satisfy. Instead Beatrix perform’s something called the five point palm exploding heart technique, which makes your heart explode from the inside after you take five steps. This allows him to have a few words with the love of his life, take a deep breath, button his coat and walk with dignity to the greatest movie death in film history.
A list of my Top Ten Movie Quotes is a Top Ten list I’ve been meaning to make for a very long time. The reason I’ve held off from doing so is because of how truly difficult it is to make this list. I love movies and there’s a lot of them, but I also love movie quotes and there’s even more of them, but I’ve finally decided on a list that fits my preferences.
Before reading this, I’d like to make it clear that on this list you won’t find any extremely famous movie quotes like “Here’s Johnny!”, “Say hello to my little friend.” or “Frankly my dear, I don’t give a damn.” While quotes like those are fantastic and undoubtedly iconic, their not as meaningful to me. Also, for the most part, those quotes are a lot shorter than what a truly powerful quote usually is. Most of my favorites are monologues. That being said, I’d like to get into it. Here are my top ten favorite movie quotes:
10. “The horror, the horror.” -Col. Kurtz (Apocalypse Now)
One of the most famous movie quotes of all time is, “I love the smell of napalm in the morning”, but if you ask me. Its not even the best quote in Apocalypse Now. That quote pales in comparison to Col. Kurtz’s final words. His death is one of the most iconic ever put on screen and when he speaks those last words my heart is pounding every time.
9. “Keep your lovin’ brother happy.” -Frank (Once Upon a Time in the West)
Henry Fonda’s character Frank in Once Upon a Time in the West is one of the most cold blooded basterds ever put on screen. We don’t learn the true depth of his villainy until the final showdown of the movie and we here him say that line as he smiles and performs one of the most despicable acts a movie villain ever has.
8. “I’d always heard your entire life flashes in front of your years the second before you die. First of all, that one-second isn’t a second at all. It stretches on forever like an ocean of time. For me, it was lying on my back at boy scout camp watching falling stars and yellow leaves from the maple trees that lined our street or my grandmother’s hands and the way her skin seemed like paper and the first time I saw my cousin Tony’s brand new Fire Bird, and Jannie, and Jannie, and Carolyn. I guess I could be pretty pissed off about what happened me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once and it’s too much. My heart fills up like a balloon that’s about to burst. And then I remember to relax and stop trying to hold onto it. And then it flows through me like rain and I can’t feel anything but gratitude for every single moment of my stupid little life. You have no idea what I’m talking about I’m sure, but don’t worry. You will someday.” -Lester Burnhum (American Beauty)
There have been many movies that have tried to encapsulate the entire meaning behind the movie with just one final monologue. No other movie was able to do it quite as well as American Beauty did. In just one final monologue, Lester Burnhum (Kevin Spacey, who recieved a well-deserved oscar) reflects on his life and the “beauty” in the world. Its a quote that is mind-numbingly deep, memorable and above all, beautiful.
7. “I won’t kill you, but I don’t have to save you.” -Batman/Bruce Wayne (Batman Begins)
Batman Begins is a masterpiece of a movie that tells the origin of the cultural icon Batman, directed with dark realism by Christopher Nolan. With this one, short line, the very essence and character of the man most call Batman, is captured. Its literally breath taking every single time when the villain Ra’s Al Ghul says “Have you finally learned to do what is necessary?” and Batman gives one the greastest responses in film history.
6. “We all have it comin’, kid.” -William Munny (Unforgiven)
Unforgiven is one of my favorite movies of all time and by far the greatest western ever made. With just this six word quote, not only is the nature of the film captured, but also the idea of the true west in general. First, Munny says the powerful line, “Its a hell of a thing killing a man, take away all he’s got and all he’s ever gonna have.” The Schofield Kid responds with a cold, “Well, I guess he had it comin,” to which Munny responds with one of the most meaningful quotes ever put on screen.
5. “I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the tannhauser gates and all those moments will be lost in time, like tears in the rain. Time to die.” -Roy Batty (Blade Runner)
Roy Batty’s enigmatic “tears in the rain” quote is by far the greatest last words ever put on screen. The quote might not sound like much when you read it, but to here him utter those final words is absolutely beautiful. The replicant Roy Batty is one of the greatest movie characters in general and his final monologue is undoubtedly one of the greatest quotes ever put into a film.
4. “I mean if I had my way, you’d wear that goddamn uniform for the rest of your pecker suckin’ life. But I’m aware that ain’t practical, I mean at some point your gonna have to take it off. So, I’m gonna give you a little something you can’t take off.” -Lt. Aldo Raine (Inglourious Basterds)
Inlgourious Basterds is one of the greatest films ever made. It just builds and builds to what is, to me, the greatest ending in the history of film. Not much is as satisfying as seeing one of the most villainous characters on screen get exactly what he deserves and its Lt. Raine’s fantastic quote that is the absolute perfect set up for what is about to happen. Because of the events that transpired in the hours before hand, we know exactly what’s about to happen to the basterd Col. Hans Landa and I can never help but getting a feeling of pure solace as Aldo utters this quote.
3. “I know. It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn’t want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going. Because they were holding on to something.” -Samwise Gamgee (The Lord of the Rings)
The Lord of the Rings is the very definition of the word epic. Just hearing the very word makes me immediately think of The Lord of the Rings. There are an endless amount of amazing scenes and moments, but the greatest quote in the entire trilogy and one of the greatest in existence is Sam’s monologue at the end of the The Two Towers. I’m litrally almost brought to tears every time because of how emotionally involved I am with the film during that quote. I get goose bumps every single time I hear it uttered.
2. “You… you just couldn’t let me go, could you? This is what happens when an unstoppable force meets an immovable object. You truly are incorruptible, aren’t you? You won’t kill me out of some misplaced sense of self-righteousness and I won’t kill you because you’re just too much fun. I think you and I are destined to do this forever.” -The Joker (The Dark Knight)
The Dark Knight is by far my favorite movie in existence, while The Joker is undoubtedly my favorite movie character. With this quote, the very essence of the reasoning behind my love for the film and the relationship between Batman and The Joker. Its one of the greatest quotes in film and it was incredibly difficult for me to put it in the second slot. This is my favorite quote that is uttered by my favorite movie character in my favorite movie of all time and it deserves nothing less than my undying praise, but I had to give it the second slot because of my unconditional love for the next quote.
1. “Well there’s this passage I got memorized. Ezekiel 25:17. The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who in the name charity and good will shepherds the weak through the valley of darkness. For he is truly his brother’s keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger, those who attempt to poison and destroy my brothers. And you will know that my name is the lord when I lay my vengeance upon you. I’ve been sayin’ that shit for years and when you heard it, that meant yo’ ass. I never gave much thought to what it meant. I just thought it was some cold blooded shit to say to a mother fucker before I popped a cap in his ass. I saw some shit this morning that made me think twice. See now I’m thinkin’ maybe it means you’re the evil man and I’m the righteous man and Mr. 9mm here, he’s the shepherd protecting my righteous ass in the valley of darkness. Or it could mean, you’re the righteous man and I’m the shepherd and its the world thats evil and selfish. Now I like that, but that shit ain’t the truth. The truth is, you’re the weak and I am the tyranny of evil men, but I’m tryin’ Ringo. I’m tryin’ real hard to be the shepherd.” -Jules Winnfield (Pulp Fiction)
Pulp Fiction is one of the greatest movies of all time and to tell the truth, when it comes the writing, its undoubtedly the best. In his greatest performance, Samuel L. Jackson plays the fantastic character Jules Winnfield and in what is the greatest scene in film history, he says the greatest quote in the history of film. Many people love the Ezekiel 25:17 Bible verse and don’t get me wrong, I love it too, but its basically nothing without Winnfield’s unforgettable examination behind the meaning of the words. No monologue, line or quote gets me nearly as emotionally involved in the film at hand than this one. I truly don’t see it ever being surpassed. Not even my favorite movie/character was able to do that. Jules Winnfield is unquestionably the holder of the greatest movie quote of all time.
To a movie buff or someone who makes a site about movies, it’s essential to make Top Ten Lists. Some of my favorites to make were Top Ten Movie Directors and Top Ten Movie Villains. Top Ten lists are a very fun way to perfectly establish your opinion, but it is often a very difficult task. The most important and most difficult Top Ten List to make is a list of your favorite films.
A Top Ten List of your favorite films has to be honest and completely encapsulate your take on films. I for one couldn’t do it. I do have a list of my top ten favorite films in this post, but I decided instead to post my Top 25 favorite movies of all time. Its a list that was practically impossible to make and will change as the years go on (I will edit the post if needed), but here we go. My Top 25 favorite films are…
25. To Kill A Mockingbird
Gregory Peck is stunningly believable as Atticus Finch, one of the greatest fathers and heroes in cinema. To call To Kill A Mockingbird inspirational is an understatement. Like many great films, while inspiring, To Kill A Mockingbird is equally defeating. It’s a must-see film for every reason imaginable. The original novel is about the author’s actual childhood and the film doesn’t skimp on the thematic potential and tells the powerful tale through the eyes of the children.I have yet to have the pleasure of reading the original source material, but it sure made for one of the greatest films I’ll ever be blown away by.
Trainspotting is a masterfully told film about herione-addicted misfits and friends in Scotland. Though disturbing and twisted throughout, Trainspotting still manages to stay unarguably beautiful, while entertaining from beginning to end. With Trainspotting, what you get is a pitch-perfect portrait of the very ideas of life in general, flawed and fun. Trainspotting is a true masterpiece of a film that makes you love, hate, laugh, cry and enjoy, among others.
Federico Fellini beautifully portrays the memories of his youth and the town where he grew up. The movie is as poignant, colorful, hilarious and honest as life itself. To watch it is to be consumed by it. Fellini is one of if not arguably the greatest filmmaker to ever bless the silver screen with a work of true art and like a true artist, Fellini doesn’t just make pieces of art, with his movies what we are consumed by are pieces of himself.
22. The Lord of the Rings
The Lord of the Rings is unquestionably one movie. The Lord of the Rings is an epic in every sense of the word. That’s truly the best way it can be described. The Lord of the Rings has in it just about everything you could ever want in a movie; love, drama, adventure, friendship, a huge cast of memorable characters, a beautiful beginning, a magnificent middle, an epic ending and much, much more. The Lord of Rings is that kind of movie that other movies should aspire to be. It’s a movie that makes you realize why we love movies in the first place. It’s a truly sprawling epic of an adventure and one that inspires and enthralls every time.
21. 2001: A Space Odyssey
Stanley Kubrick’s science fiction masterpiece is easily one of the most unforgettable and unbelievable experiences in cinema. Still visually striking to this day, but even more striking is Stanley Kubrick’s ambition. 2001: A Space Odyssey may very well be the most ambitious undertaking in cinema as Kubrick manages to tell the story of all of us and our very existence.
20. 12 Years A Slave
With just three masterpieces under his belt, I can already say with confidence that Steve Mcqueen is one of my favorite filmmakers. He has somehow managed to one up himself with each movie he has made and it goes without saying that I can not wait to see what he has in store for us next time. Excuse me if I doubt he’ll be able to top his latest any time soon. 12 Years A Slave is the most raw, real and horrific excursion into the human tragedy that is slavery that I’ve ever witnessed. It’s also one of the most glorious articulations of love and hate ever crafted in the form of art.
19. Throne of Blood
Never before has Akira Kurosawa captured atmosphere like he has in Throne of Blood. Like he does with all his masterworks, he poured his soul into this one and it shows in more ways than one, not the least in the portrayal of Washizu by his greatest collaborator, the awesome Toshiro Mifune. This may be his greatest performance as he plays the samurai version of Macbeth with unbelievable humanity. He manages to find a perfect balance between intimidating and completely fragile.
18. The Shining
Stanley Kubrick’s greatest film is also the most beautiful, flawlessly crafted horror film I’ve ever seen. We walk through the doors of The Overlook Hotel and we witness evil. It’s an evil place and the tragedy that takes place there in is one I willingly experience over and over again. I’m drawn in and blown away by the mastery every single time. Stanley Kubrick was a man who was meant to make masterpieces, with The Shining you’ll find my favorite of those masterpieces.
17. Inside Llewyn Davis
About Inside Llewyn Davis, The Coen Bros. were quoted as saying, “We wanted to make an odyssey where the hero doesn’t go anywhere”. Well in there search for nothing, the greatest duo in film have found everything you could ever want in an extraordinary piece of expression. The film is beautifully melancholy and resonates with its palpable reality and tone. The conclusion or lack there of is unmistakably profound and makes it one of the greatest films I’ll ever made. It surpasses almost every one of their remarkable masterpieces.
It’s hard to swallow that M was made over 80 years ago. And yet it’s still as haunting as ever. Unlike many movies made before it and many movies made long after it, M is not a movie you would call dated. M is a seamlessly plotted psychological drama that will always be pondered over. There’s reason behind every choice Fritz Lang makes in the crafting of this timeless classic.
15. The Human Condition
Whether he’s the protagonist or the antagonist, Tatsuya Nakadai always has a likability to him, which makes The Human Condition that much more painful as we witness what may be the most arduous journey ever depicted on film. With a title like “The Human Condition” you need a hero whose particularly human and that’s just what Kobayashi and Nakadai craft in the courageous, yet flawed Kaji. At over 9 and a half hours, The Human Condition makes for one of the most exhilarating and all-encompassing experiences in cinema.
Akira Kurosawa creates pure cinematic poetry with Rashomon. Kurosawa may be the most influential director to ever make a film and in terms of craft, Rashomon is arguably one of, if not, the most influential of his films. Rashomon not only shows just how much can be done with the art of film, it also tells one of the most powerful stories ever told about stories, human nature and the enigma that lies there in. Rashomon can be viewed as Kurosawa’s entire life and his endless search for truth.
13. La Dolce Vita
La Dolce Vita is a juggernaut of a film that is as bitter as it is oh so sweet. Federico Fellini captures stark black-and-white beauty in every frame as his first Marcello Mastroianni alter-ego searches hopelessly and shamelessly for “the sweet life”. The film is inspired by Fellini’s own past as a journalist and in a way challenges us to look into our own pasts as he has, learn and progress.
Takashi Shimura breathes pure humanity into Akira Kurosawa’s masterpiece of a man searching for meaning in his final days. It is without a doubt a must-see for anyone and not just movie buffs, for it may be the most universal of all of Kurosawa’s masterworks. Kurosawa evokes life in Ikiru, literally “To Live”, and perhaps even more notably, death in an unbelievably fitting structure. It may not sound like the most original story ever told on film, but it’s certainly unlike anything I’ve ever seen and easily one of the most touching.
Yojimbo/Sanjuro doesn’t tell one fluid story and in fact you could watch either of the flawless masterpieces first and all would make sense, for you’d still be watching just one of two endlessly viewable portraits of the life and times of a masterless and wandering samurai. Toshiro Mifune’s nameless samurai is the heart and hero of Yojimbo/Sanjuro and he makes for one of if not the most badass character in film. Akira Kurosawa is a master of the craft and can accomplish realism with ease, but with Yojimbo/Sanjuro he presents one of the most fun and fantastically captivating adventures in film.
10. The Master
In The Master there is not a single beautiful shot or brilliant line of dialogue out of place. Paul Thomas Anderson has a way of getting the best performance out of at least one of his actors and in this case Joaquin Phoenix gives the best performance of his career, which is saying a lot because Joaquin Phoenix is an incredible actor. Some could even make an argument for Philip Seymour Hoffman in this masterpiece. The film is a magnificent and dark enigma. Paul Thomas Anderson just knows how to make a movie and he proves that with his sixth film, The Master, a gorgeous film about choice, obedience, control and freedom.
9. One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo’s Nest is undoubtedly one of the greatest feats in Cinematic history. One Flew is a beautiful and enthralling tale of the life and times of Randall Patrick McMurphy in a mental hospital. Jack Nicholson gives the performance of his illustrious career. Through the friends he meets, the schemes he pulls and most of all the enemy he makes, we get a story filled with brilliant morals and themes. One Flew Over the Cuckoo’s Nest is an incredibly entertaining film, an inspirational masterpiece.
8. Apocalypse Now
Apocalypse Now is Francis Ford Coppola’s flawless masterpiece. Coppola gets endless praise for his brilliant work, The Godfather, but its Apocalypse Now that he should be remembered for. Apocalypse Now is and forever will be a truly epic war film that brings you on an amazing journey deep into the heart of darkness. The film builds and builds almost to the point of promising you one of the greatest climaxes in film and gives you just that. Apocalypse Now is equal parts violent and philosophical, a truly indelible masterpiece.
7. There Will Be Blood
There Will Be Blood is tremendous in the way that it tells a story through through the eyes of a single man and examines not the dream, but the american nightmare. It’s one of the greatest character study ever made and without a perfect portrayal of this antihero it wouldn’t be the flawless film it is. Daniel Day-Lewis gives one of the greatest performances I’ve ever seen as Daniel Plainview, a depraved oil man whose mask slides off revealing a complete lack of humanity. The drama and rivalry that ensues once Plainview begins drilling makes for one of the most monumental and gorgeous pieces of art I’ll ever bare witness to. There Will Be Blood is unique, real, but at the same time larger than life and monumentally powerful. There Will Be Blood is a beautifully-woven masterpiece in which we watch in horror as an ambitious oilman loses any remnants of a soul.
6. No Country for Old Men
The Coen Brother’s are, unquestionably, two of the greatest filmmakers of all time and this is their greatest feat. No Country is a beautifully violent film filled with unstoppably moralistic power. It’s a blood-soaked tale told magnificently through subtleties, a film that is truly perfect in every way imaginable. No Country for Old Men tells, what seems to be on the surface, a simplistic tale of cat and mouse. A chess game, if you will, between an average joe who happens upon a suitcase full of drug money and a ruthlessly intelligent killer who has no empathy what so ever and will stop at nothing. The powerful tale that is realized with No Country for Old Men is one of violence, malevolence and art. No Country for Old Men is a masterpiece in every single sense of the word.
Ran is an epic tragedy of gargantuan proportions. At 75-years-old Akira Kurosawa still knew exactly how to make a film and not just any film, but a monumental achievement as only a truly magnificent artist could have envisioned and realized. From the first frame to the last I am swept away to this vast and evolving world. Ran is on a whole other level of filmmaking. It defies and tramples over any expectation you could have in a film by any director and this is the director. It astounds with every passing second. Discussing it here could never do it justice. Like all true masterpieces, Ran is a film one must experience for themselves.
Anyone who enjoys the occasional movie owes it to themselves to bask in the glory and perfection that is Harakiri. It begins simply enough, a samurai walks into the house of the Iyi clan and asks to commit Harakiri (the ritual suicide of a samurai). Harakiri offers one of the most engrossing movie experiences ever and on top of that it’s one of the most important. Tatsuya Nakadai makes Hanshiro Tsugumo one of the most captivating characters in film as the one man willing to take a stand against the powers that be. Harakiri tells its compelling story that captivates from start to finish and long after once you begin pondering about all the film has to say, not exclusively bringing into question the meaning of honor. Harakiri tells an endlessly powerful story which by the end proves to be one of the greatest ever told.
3. The Dark Knight Legend
Batman Begins is nothing short of the perfect hero’s journey. We are brought on the wondrous, yet arduous journey of one man as he becomes the greatest hero of all time, Batman. It is a story that asks and answers the question, what makes a hero? And it does so flawlessly and without once being anything, but completely enjoyable. It is monumental, there is an eloquence to it, it is a masterpiece and it was only the beginning. The Dark Knight is unlike any other story or film ever created in the way that is a pure, spectacular and perfect examination of good and evil. The Dark Knight takes the symbol for good established in Batman Begins and brings him to the darkest corners of existence when he goes toe-to-toe with a symbol for evil and the greatest villain in history, The Joker. The Joker is evil for the sake of being evil, while Batman is good for the sake of being good. To see this poetically constant battle unfold between the two is to see nothing short of some of the greatest cinema of all time.
The Dark Knight Rises is a sweeping epic that defines the story that has been being told and offers the greatest end in the history of film. While Batman Begins was about Batman and The Dark Knight was about Batman and The Joker, The Dark Knight Rises is about the beating heart of Gotham and the people who are willing to fight to keep it beating. It can be viewed as Batman’s final trial into the status of a legend. It is an extraordinary masterpiece that brings the story to its inevitable conclusion. The Dark Knight Legend (or The Dark Knight Trilogy if that tastes better going down) is Christopher Nolan’s magnum opus through and through. I care about this story and these characters and the events that transpire. As if it were poetry or Shakespearean, this story actually has alot to say and it says alot to me personally. Whether it be The Joker, Bane, Batman, Catwoman, Jim Gordon, Alfred, Ra’s Al Ghul, Talia Al Ghul, Scarecrow or any of the other magnificent characters in this story on the screen I am hooked. I’m involved and engrossed because I care about these characters and what they add to the majesty of it all.
2. 8 1/2
I’m a bit lost for words when it comes to 8 1/2. And I mean how fitting that I find it hard to collect my thoughts and actually produce something when it comes to 8 1/2. I don’t know if there is a movie in existence other than 8 1/2 that calls to mind the phrase “speaks for itself”. Federico Fellini’s masterpiece is truly something you must experience to believe.
“I thought my ideas were so clear. I wanted to make an honest film. No lies whatsoever. I thought I had something so simple to say. Something useful to everybody. A film that could help bury forever all those dead things we carry within ourselves. Instead, I’m the one without the courage to bury anything at all. When did I go wrong? I really have nothing to say, but I want to say it all the same.” Federico speaks honestly through Guido and to us and from the beginning of 8 1/2 to end Fellini bares all that he has and is.
In personifying himself in 8 1/2, Federico Fellini has crafted a work of art for us and about us. In telling the story of a director finding his voice we realize the similar challenges we all face. He effortlessly uses Guido’s tale as an allegory depicting for all of us from a whimsical dream of a birth to the stage we leave behind. I defy anyone to witness 8 1/2 and not find a little piece of themselves as it is the most personal film I’ve ever seen, if not the most personal and progressive film ever made. It is not only one of the greatest films ever made, but one of the most glorious and beautiful pieces of art I will ever bask in.
1. Seven Samurai
Akira Kurosawa is the greatest artist to ever craft a piece of art and Seven Samurai is his greatest and my favorite movie. No other film offers the reality, the escape, the journey, the camaraderie, the inspiration, the honesty, the heroism, the humanity, the growth, the truth and the beauty that Seven Samurai overflows with. It is the true masterwork of a man who consistently worked to better himself and his incomparable craft.
Not just the film as a whole, but every painstaking detail from character to camera movement to cut is a living, breathing thing with purpose and resonance. I am in awe by it and the master craftsman who made it all possible to say the least. This is a film as only Akira Kurosawa could make. Auteurs have their recognizable trends and styles, but Kurosawa’s trend is consistently progressing, starting from scratch and delving into an entirely new world and feeling. Seven Samurai is like no other film, not even an Akira Kurosawa film as no two Kurosawa films are even close to the same (other than of course the companion pieces Yojimbo and Sanjuro, but that’s neither here nor there).
Seven Samurai tells a seemingly simple story about a village, some bandits and seven samurai. Akira Kurosawa tells his tale and fills it to the brim with as much profound substance and beauty as a single film could have and then some. The film could not have been made any other way. No detail could have been changed. Every character and sequence amounts to the unbelievable epic at hand. I am wholly invested in every second of the film. It dramatically capitalizes on all the potent emotion you could ever ask for in a single film. It’s fun and funny, it’s sad, it’s overwhelming in its scope and it’s a visionary work of art and magic. Seven Samurai is my favorite film and the greatest piece of art ever crafted.