Top Ten Quentin Tarantino Scenes

Quentin Tarantino is one of the greatest filmmakers to have ever graced the silver screen with art. He is arguably the greatest writer of film ever and he writes and envisions perfect scenes which he executes with prowess. Making this list was like making a list of short films because that’s what a great scene is. It tells a story. It has a beginning and it has an ending. They ways Tarantino gets to those endings are always breathtaking. This is my list of the greatest scenes Tarantino has constructed.

10. Django’s Revenge (Django Unchained)

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It’s a solemn image that begins the scene. Silhouettes of a group of people walk away from a funeral, they finally make it to Candyland where they find Django. He offers them their comeuppance. The scene offers a perfect end to a perfect movie. After all the blood and carnage, it’s a happy ending, an ending where bad people are triumphed over and love prevails. It’s fun, it’s cool and it is glorious.

9. Stuntman Mike Meets His Match (Death Proof)

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When you watch Death Proof, what you’re watching is a slasher movie. The killer at it’s heart doesn’t use a knife, a chainsaw or an axe however, he uses his car. The film just builds and builds to its explosive ending, arguably the greatest car chase in film. Quentin Tarantino has a way with villains and Stuntman Mike is one hell of a villain. He gets quite the unexpected surprise when he chooses his latest victims.

8. Sicilians (True Romance)

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True Romance wasn’t directed by Quentin Tarantino, but he did write it. The movie as a whole, and especially this particular scene, have Quentin’s brilliant dialogue written all over it. Tarantino has a way of creating these almost one-act dramas with some of his scenes. In this scene, the tension rises at perfect pace as it always does and the characters take hold. Both Christopher Walken and Dennis Hopper perform off of each other flawlessly.

7. Showdown at House of Blue Leaves (Kill Bill)

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Kill Bill is one movie and story told in two volumes. Volume 1 has quite the satisfying conclusion in House of Blue Leaves. This is where she’ll find the first name on her Death List, Oren Ishii. The samurai sword fight between the two of them is epic but it’s the lead up to their fight that makes this scene amazing. Alone and vicious, The Bride cuts her way through Oren’s personal army, The Crazy 88s. The scene is one of Tarantino’s most incredible undertakings and one you can’t take your eyes off.

6. Dinner in Candyland (Django Unchained)

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Prior to this scene, Django Unchained is about the loving plight of Django and his friend Dr. King Schultz. This scene is Calvin J. Candie’s show and what a show he puts on. Like all psychotic and sadistic villains, Candie can switch on a dime and that’s just what he does here along with the scene. Everything seems to be going swimmingly for Django until Calvin pulls out a skull and begins to muse about his dead slave, “Old Ben”. We then begin to understand just how despicable this man truly is.

5. La Louisiane (Inglourious Basterds)

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The classic  drama that plays out in the tavern, La Louisiane, is a miracle of a scene. The first three chapters of Inglourious Basterds introduce its the characters that will play their parts in the cataclysmic fifth chapter. The fourth chapter introduces another character, Lt. Archie Hicox. There are a few scenes in this fourth chapter involving Hicox but it’s the scene in La Louisiane that takes the cake. Quentin Tarantino knows tension and as a result, scenes like this are relentless in their excellence.

4. Killing Bill (Kill Bill)

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With a title like Kill Bill, it stands to reason there’s going to be quite the scene involving someone killing Bill. In entirety of Quentin Tarantino’s Kill Bill, that just so happens to be the greatest scene in the blood-soaked revenge masterpiece. The relationship between Beatrix Kiddo and Bill is one of love and bloodlust. It’s got the music, it’s got the dialogue and it’s got the emotional baggage. This is the scene with the greatest death in film. The movie builds to this single moment and it’s one of the most satisfying moments in film.

3. Candyland Massacre (Django Unchained)

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As Dr. King Schultz and Calvin J. Candie verbally square off, Django quietly sits on the side lines waiting to burst. This is just another one of Tarantino’s classic tension oozing scenes. It’s a scene dedicated to the three best characters in the movie. Calvin Candie once again proves what scum he is, while Schultz once again proves himself to be a good man, a hero. The scene then escalates into the phenomenal gun fight this masterpiece deserved. It’s the greatest scene in Django Unchained and one of the greatest scenes in film.

2. Diner (Pulp Fiction)

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In Pulp Fiction, Quentin Tarantino literally defines pulp before your eyes and then gives you the fiction and it’s fiction of the literary variety. The final scene in the movie takes place in a diner and it’s easily one of the greatest scenes in film. Jules Winnfield is the best character in the film and the final diner scene utilizes him to exemplify the very idea of a bad man turning good. There’s never a dull moment in this masterpiece, but this is far and away the greatest scene in the film. This final diner scene is what makes Pulp Fiction the movie it is. It may be a cliché, but this is one of the most perfect examples of a story being brought full circle.

1. Once Upon a Time in Nazi-Occupied France (Inglourious Basterds)

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Watch Inglourious Basterds and witness Quentin Tarantino’s greatest feat, Inglourious Basterds. The first chapter is a single scene and it’s simple enough, a one-act drama if you will, that consists of a Colonel in Hitler’s Third Reich and his conversation with a cow farmer who may or may not be hiding enemies of the state in his house. This scene unveils one of the greatest characters and villains in cinema, Col. Hans Landa.

The first chapter of Inglourious Basterds is just an example of perfect writing. A central character to the real drama that’s unfolding is introduced and developed as the scene tells a story in and of itself. Denis Ménochet is able to play off a masterful actor in magnificent ways. Christoph Waltz gives a flawless portrayal of a flawlessly written character, Tarantino’s best. The scene exemplifies Tarantino movies as a whole. A beautiful piece of art and always a good time at the movies.

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Top Ten Movie Deaths

I pondered for a while about how to preface this list, but its pretty self-explanatory. Death is a pretty beautiful thing when it comes to cinema. There are deaths in film that, when due to great performances, direction and writing, you get unbearably powerful moments. This is a list of those deaths. This is a list dedicated to my favorite deaths in film because of their meaning and power, not necessarily the ones that are remembered in cinema history as classics, such as the shower scene in Psycho or King Kong falling off the Empire State Building. While those are amazing moments in film, they just didn’t affect me like the deaths in this list.

 

!!!SPOILER ALERT!!!

 

 

!!!IF YOU HAVEN’T SEEN ONE OF THE MOVIES LISTED, DON’T READ INTO IT!!!

 

 

!!!SPOILER ALERT!!!

 

10. John Doe (SE7EN)

There aren’t many moments that you can truly say, based on their content, leave you gasping for air. The death of the villain, John Doe, in SE7EN is undoubtedly one of those moments. We never see this character until the end of the movie, but nevertheless, we fear him. We get to know the detectives on the case and we keep guessing what the end could be. What we do get is fantastically dark and real. If you’re looking for a prime example of a villain winning, this is it.

9. Ra’s Al Ghul (Batman Begins)

The death of Bruce Wayne’s mentor and eventual enemy is an undeniably memorable one. What makes this death such a spectacular one is in the way that the wise leader of the league of shadows attempts to gain dignity from his death with the line “Have you finally learned to do what is necessary?” He’s trying to show that he’s actually taught the man known as Batman very well. Batman shows the true colors of both characters with his reply, “I won’t kill you, but I don’t have to save you.”

8. Lester Burnhum (American Beauty)

What makes Lester Burnhum’s death so awesome isn’t the actual death itself. Lester’s death is made significant based on the events before and the magnificent final monologue of the movie. You find out right in the beginning that this character we’re being introduced to is going to die by the end. It’s not the “what” that we’re interested in because we know what’s going to happen, what we are concerned about are the “who” and the “why”. We get the answers we need and few things in film are as pleasing.

7. Tyler Durden (Fight Club)

Fight Club is one of my favorite films in general so it was really a no-brainer when it came to putting the stunning death of one the greatest characters in film on this list. The relationship between the Narrator and Tyler Durden is one of the most special and interesting ever filmed. Throughout Fight Club we get to know these characters and know them well. By the end we know what has to happen and the death of the final scene which results in the death of Tyler Durden completely blows me away  every single time.

6. Frank (Once Upon a Time in the West)

It seems that because of Sergio Leone’s brilliant film, “The Good, the Bad and the Ugly”, his other masterpiece, “Once Upon a Time in the West”, is often overlooked. I do slightly prefer “The Good, the Bad and the Ugly”, but there is one aspect of “Once Upon a Time in the West” that is better and that is in the black-hearted villain, Frank. He’s one of the most despicable villains ever filmed and there are few moments in film that are as satisfying as the realization of the extent of his wrath and his immediate death right afterwards. Truly breathtaking cinema.

5. Maximus Decimus Meridius (Gladiator)

At the heart of the epic film Gladiator is a tale of well-deserved revenge. We fall in love with the protagonist Maximus and we grow to hate the villainous basterd he’s aiming to kill. Now that begs the question, why wouldn’t I put the satisfying death of the villain Commodus on this list? The reason is because the more emotionally powerful death belongs to Maximus Decimus Meridius. Yes, Commodus needs to die and burn in hell, but now Maximus’ mission is complete. His death was necessary because now he can go live in peace with his son and daughter in the afterlife.

4. Little Bill Daggett (Unforgiven)

Unforgiven is a western centered on the two characters William Munny and Little Bill Daggett. Throughout this masterfully crafted film we learn the true natures of both characters and learn that the line between right and wrong isn’t always clear. Not till the very end of the film do the two characters finally meet and the better man is established. “I’ll see you in hell William Munny,” Little Bill says with pure honesty and hate in his eyes and before William Munny fires the final fatal bullet into Little Bill’s head, he replies with a sorrowful, “Yeah”. It’s one of those moments in film that make movies worth watching.

3. Roy Batty (Blade Runner)

“I’ve seen things you people wouldn’t believe…” is the start of one of the greatest movie quotes ever put one screen and the beginning of the final words of the character Roy Batty. Blade Runner is a film that asks many of life’s big questions, but those questions don’t come to true and beautiful light until the final encounter between protagonist Rick Deckard and philosophical replicant Roy Batty. It’s the most powerful scenes in film.

First, Roy just toys with his advisory and when Rick tries to escape by hopping to another rooftop he isn’t able to make it and nearly dies. The true nature of the character Roy is shown when he is able to make the jump easily and save Rick, but not before he puts Deckard’s mission in life into perspective, with the line “Quite an experience to live in fear isn’t it? That’s what it is to be a slave. Then he utters his memorable final words and reaches the end of his time.

2. Col. Walter E. Kurtz (Apocalypse Now)

Apocalypse Now is, without a shred of doubt, a staple in the art of filmmaking. While, the death of Col. Walter E. Kurtz is a triumph all its own. The main character, Captain Willard, is sent on a mission deep into cambodia in order to find and terminate a renegade Colonel who has taken command over the locals. We are taken on a journey into the true meaning of madness and on the way our anticipation grows like Captain Willard and all we want to do is finally meet Col. Kurtz.

Because of a truly brilliant performance by Marlon Brando, every single line Kurtz utters is memorable and resonant. That goes especially for one of my favorite movie quotes, his powerful last words, “The horror, the horror.” On my first viewing of the film, right at that moment I thought to myself, “this is one of the greatest films ever made”. And it truly is. From the beginning, Apocalypse Now promises an amazing climax and gives you just that. It was difficult for me not to put this in the number one slot.

1. Bill (Kill Bill)

Look back at numbers 3 and 2 of this list and you’ll notice that they share something with number 1. All three movies have generally simple tales, sure like all great filmmakers they establish deeper meanings, but the structure is simple. Rick Deckard, a retired Blade Runner is sent on a mission to kill four replicants (androids) led by Roy Batty, Captain Benjamin Willard is sent into Cambodia to kill Col. Kurtz and Beatrix Kiddo is out for revenge against her former boss and lover Bill.

From the beginning, we know, if we are to be satisfied that is, that Roy Batty, Col. Kurtz and Bill will die. There are many examples of films where we know what might happen at the end, but we want to know how our hero will get there and how exactly they’ll do the deed, whether its Frodo throwing the ring of power into Mt. Doom or Batman saving Gotham from the evil clutches of the Joker. In this case, we’re talking about deaths in film and no death is as magnificent and significant as the death of Bill in the 4-hour-epic Kill Bill.

What makes Bill’s death profound, innovative and beautiful is the unconditional love shared between the two warriors. Their fight is inevitable and both, Bill and Beatrix, realize that one is going to die, while the other will live on, but that doesn’t mean they still can’t care for one another. And in the end, Bill isn’t stabbed or shot, no, that wouldn’t satisfy. Instead Beatrix perform’s something called the five point palm exploding heart technique, which makes your heart explode from the inside after you take five steps. This allows him to have a few words with the love of his life, take a deep breath, button his coat and walk with dignity to the greatest movie death in film history.

Top Ten Cinematic Enemies

From the very beginning of film there have always been enemies or rivalries at the core of any story. Whether its a cop and a robber in “The Great Train Robbery” or Luke Skywalker and Darth Vader in “Empire Strikes Back”. Sometimes these enemies can best be described as good vs. evil, but not all stories are that black and white. Each has a side to root for, each is unique in its own way and this is a list of my ten favorite.

10. William Munny and Little Bill Daggett

Unforgiven is one of my favorite films of all time. The entire movie centers on the two stories of William Munny and Little Bill Daggett. In the archaic, dying west, a story is told of two men who helped shape the violent worlds around them and their eventual meeting. Its a beautiful film with one of the greatest climaxes in film.

9. Alfred Borden and Robert Angier

At the center of Christopher Nolan’s masterpiece of deception and magic is a rivalry between two magicians. The dark story that unfolds between these two characters is nothing short of breathtaking. These character’s obsession with one-upping each other eventual leads to fatal tragedies. You won’t want to blink at the risk of missing something.

8. Juror #8 and Juror #3

Guilty or Not Guilty? That is the question that 12 Angry Men asks from the beginning, but what drives this tale are two men who will fight for their side till the bitter end. Each character in this film is unique and brings something to the story, but what it all comes down to is a rivalry between one man who argues “not guilty” from the very beginning and one man who will argue “guilty” regardless of reason.

7. The Bride and Bill

The four-hour epic, Kill Bill, would be nothing without its two main characters; Beatrix Kiddo and Bill. What makes the relationship between Bill and Beatrix so unique is that even though they know in their hearts that one of them has to die, they still feel an unconditional love for each other. This relationship leads up to one of the greatest deaths in film.

6. Antonio Salieri and Wolfgang Amadeus Mozart

Amadeus is one of the greatest films ever made and that’s because of the relationship that it centers on. It’s a tale of the mediocre composer Antonio Salieri and his professional rivalry with world-renowned composer Wolfgang Amadeus Mozart. The relationship is interesting in the way that Mozart isn’t even aware of Salieri’s deep-seeded hatred towards him. Its truly an amazing film.

5. The Man with the Harmonica and Frank

Once Upon a Time in the West is one of the greatest tales of revenge ever told. What’s beautiful about this story is that we don’t even come to realize what our hero is attempting to take revenge for until seconds before he gets it. It’s an interesting way of telling a story and it works perfectly. We realize what a cold-blooded bastard Frank is throughout the movie, but we don’t truly understand his menace until he comes face to face with The Man with the Harmonica.

4. Maximus and Commodus

The epic known as Gladiator is driven purely by a tale of deserved vengeance. When watching Gladiator, we went nothing more than for the hero Maximus to succeed in his quest for killing the the ruthless emperor Commodus. What you get in Gladiator is a character you absolutely love and and a character you absolutely hate and when they are mortal enemies it makes for an exhilarating film experience.

3. Daniel Plainview and Eli Sunday

In most films there is a clear cut good guy and a clear cut bad guy. Some of the most interesting rivalries come from films when that’s not so clear. Films such as The Prestige and Amadeus are examples of that, neither of the characters in those stories can be established as the good guy or the bad guy. What makes There Will Be Blood so interesting is the way it tells a tale of the rivalry between two unquestionably terrible people. The story of hatred that unfolds is a truly amazing one to watch.

2. Randall Patrick McMuphy and Nurse Ratched

The heart of the masterpiece that is One Flew Over the Cuckoos Nest lies in the relationship between R.P. McMurphy and Nurse Ratched. There is no movie character in the history of film that I feel more hatred towards than Nurse Ratched. And to watch the battle of wits between her and the free spirited Randall Patrick McMurphy is nothing short of one of the greatest film experiences ever. The battle between the two is the battle between being yourself and conforming to the whims of the powers that be and its really quite beautiful.

1. Batman and The Joker

No other pair of enemies has ever been able to give as much poetic justice to the battle of good and evil than the never-ending battle of Batman and The Joker. Batman is pure good, while The Joker is pure evil and they are now and always will be mortal enemies. The genius behind their relationship is in the way that neither will kill the other.

Batman won’t kill in general especially not The Joker, because that’ll be giving The Joker exactly what he wants; for Batman to reach his breaking point. The Joker will kill anyone except Batman because “he’s too much fun”. They need each other in order to have purpose as does good and evil. They “complete” each other as The Joker says. The story of the epic and constant battle between Batman and The Joker epitomizes the term good vs. evil.

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Top Ten Tarantino Characters

The original minds of the Coen Brothers and Quentin Tarantino. Their love for violence, their fantastic and memorable writing and their ability to never let you down, just to name a few. But I think Quentin Tarantino tops the Coen Brothers in his creation of some of the most memorable characters in film. Tarantino puts such a graceful brush stroke on every single one of his characters, making each one (no matter how manner) just plain awesome.

As always it was a difficult list to make because I love practically every character Quentin creates. I unfortunately was not able to make room for many characters I would love to find on a top ten such as this. Mr. Pink and Mr. Blonde are my favorite criminals from Reservoir Dogs who weren’t able to make to list. I wish I had room for Shosanna Dreyfuss of Inglourious Basterds, but she just missed the cut. Anyways, here they are, my favorite Quentin Tarantino characters…

10. Calvin J. Candie (Django Unchained)

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If Candyland is the mountain surrounded by hellfire that Dr. King Schultz describes in his german legend, than Calvin J. Candie is the fire breathing dragon. Leonardo DiCaprio never fails to show off his chops as an actor and he really shines here as a sadistic, savage and charismatic plantation owner. He’s the kind of villain you just despise from the moment you meet him and DiCaprio sells out. It’s a brilliant character that deserved a brilliant performance.

9. The Bride (Kill Bill)

The Bride is my favorite female hero in all of film. Period. Her determination and bloodlust drive the epic force that is Kill Bill. I love every moment of the four hour movie and it tells the tale of her escapades. Of course I love her. She puches her way out of a coffin buried 6 feet under, kills “88” people (not really, but still a large number) with out breaking a sweat and gouges out a rivals eye with her bare hand. Black Mamba is a samurai and the deadliest woman in the world.

8. Lt. Archie Hicox (Inglourious Basterds)

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He only makes it in three scenes of Tarantino’s WWII masterpiece, but one of them just so happens to be almost a half hour long and quite possibly the best scene in the movie. Hicox is an english officer bent on helping the Allies in any way he can. What makes him a shoe-in for this list for me is a scene when he’s told of his imminent death. With pride he sucks down his cigarette, picks up his glass of scotch and says one of my favorite lines in film, “There’s a special rung in hell for people who waste a good scotch and since I may be wrapping on the door momentarily…(finishes the glass)… I must say, damn good stuff.”

7. Stuntman Mike (Death Proof)

I absolutely love Death Proof. Is it that good of a movie? Most would say no probably, but I have a blast with every single time I’ve watched it. I think for the most part I love the movie because its driven by a character I love. The psychopathic killer, Stuntman Mike. A sweet talkin’ charmer who happens to kill girls with his car. He has played many bad asses in his illustrious career, but I don’t enjoy watching Kurt Russell nearly as much as I enjoy him as this bad ass.

6. Bill (Kill Bill)

Bill is simply what he calls himself, “a murdering basterd”. Look deeper though and he’s still a murdering basterd, but also a wise samurai with a broken heart. Every single line Bill has is uttered with sauch subtle grace and beauty by David Carradine. Every single moment is made quite epic by his presence. We don’t even see his face for the first half of the movie. Instead, we get a few shots of his hands, his sword and his cowboy boats slowly walking over to the half dead corpse of the woman he loves and is about to shoot in the head. Bill has a way a about him that makes him hated and loved by all he’s touched by. I for one just love the guy.

5. Dr. King Schultz (Django Unchained)

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I like to imagine that Tarantino sees a bit of himself in Dr. King Schultz, a man who could never truly understand Django’s pain and struggle, but who would never the less help Django in any way he could. Dr. King Schultz walks into Django’s life very suddenly and they instantly hit it off. He says it himself, Schultz “despises” slavery and he sees to the freedom of a man he was meant to meet. Together they form a bond willing to stand up against the atrocious tyranny of slavery. He’s a charming man, a wise mentor and a friend.

4. Lt. Aldo Raine (Inglourious Basterds)

Known to his enemies as Aldo the Apache is a nazi-scalping aficionado and the leader of the band of renegade jews sent to do as much damage as they possibly can against the Third Reich. He bares a lynching scar across his neck and we don’t know why, but I love it. Aldo goes through no transition or arch as a character and that’s the reason I love him. We know what to expect out of him. We know what he loves and we know he’d like to be doing it till the day he dies and that is “killin’ nazis.”

3. Jules Winnfield (Pulp Fiction)

Jules Winnfield is by far one of the greatest movie characters of all time. A notorious hitman touched by the grace of god and changed spiritually forever. This is by far Samuel L. Jackson’s best and most iconic performance. “Hmm, that is a tasty burger.” I love every single violent and philosophical induced moment with this “Bad Motherfucker”. You can’t talk about Quentin Tarantino movies and not mention the awesomenous that is Jules Winnfield. From the bible verse he recites before killing somone to his rightfully stitched wallet, I can never get enough of him.

2. Django (Django Unchained)

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In Django Unchined, you’ll find the greatest hero Quentin Tarantino has ever created. I never want anything bad to happen to Django and his love, Broomhilda. From the moment he is released from his chains I am rooting for him. He’s the definition of a badass and he’s a righteous man, a hero looking for retribution. Django is reminiscent of a mighty knight riding in to save the woman he loves. You love him and his woman and his journey, you hate the villains that stand in his way and to watch his wrath unleash when it goes down is nothing short of breathtaking.

1. Col. Hans Landa (Inlgourious Basterds)

“The Jew Hunter” is one of the greatest characters in film and by far the greatest character Quentin Tarantino has ever created and probably ever will create. It took him 15 years to top the character Jules Winnfield. I seriously doubt he’ll ever be able to top Hans Landa. A nazi is probably the most hated figure in history, but finally someone had the guts to give one some depth, and Col. Hans Landa is the result (played to nothing short of perfection by Christoph Waltz).

Col. Landa is actually a man who doesn’t buy into the nazi propaganda and instead is just doing his duty and he’s damn good at it because the S.S. officer is also a detective. It really doesn’t get much more interesting than an intelligent nazi colonel who intertwines through the threads of the events and people around him, eventually betraying his country in order to secure his survival and happy future. Col. Hans Landa is a despicable mastermind with no cap on his malevolence.