Top Ten Movie Villains

Movie villains are the backbone of the entire art form. Too often villains go unrecognized for just how important they are. Without villains there are no stories, no conflict, no drama, you get the picture. Of course there are exceptions, but I love a good villain. Usually the case is, the better the villain the better the movie. This is a list of my favorite villains in all of film.

There are many cases where the antagonist of the story is actually more interesting than the protagonist and even when that’s the case, I’m a sucker for watching a hero triumph over a villain. I took a lot into account when I made this list, but I’d have to say the order and choices were mainly based on a combination of the enjoyment I have watching the villain on screen and the actual malevolence of the character. Well, here it is.

10. Ra’s Al Ghul (Batman Begins)

Ra’s Al Ghul is the leader of The League of Shadows and the mentor to the greatest hero in existence, Batman. In a way, they both want to save the world. Bruce Wayne studied under the tutelage of The League of Shadows because he was seeking the means to fight injustice. Where Batman and Ra’s Al Ghul differ is in the way Batman, as a hero should, sets himself apart from the villains whereas Ghul believes in necessary evil.

9. Bill the Butcher (Gangs of New York)

Martin Scorsese’s epic about the early remnants of a city focuses largely on one of the most intense and cruel figures in the history of cinema, Bill “The Butcher” Cutting. Daniel Day-Lewis plays the character flawlessly and with fervor.    His lust for  power is matched only by a love for his country and the freedom it represents. Gangs of New York is a vengeance story and to watch protagonist Amsterdam finally smite Bill the Butcher is incredibly satisfying.

8. Amon Goeth (Schindler’s List)

Never have the senseless and discouraging crimes against humanity performed by the Third Reich ever been more personified in film than with Ralph Fiennes’ portrayal of Amon Goeth in Steven Spielberg’s magnum opus, Schindler’s List. This a film about the ability and will to do good. Amon Goeth represents the contradiction to this idea. He’s commanding, blood-thirsty and completely apathetic towards his actions.

7. Jack Torrance (The Shining)

I say Jack Torrance, but I more so mean the evil pumping through the veins of The Overlook Hotel that eventually forces sane writer/father, Jack Torrance’s transformation into a crazed/axe-wielding murderer. The first sequence in the bar where both Torrance and The Overlook Hotel show their true colors serves as a solemn warning for the horrific oddities that have yet to transpire. All work and no play make Jack a dull boy and one of the greatest villains in film.

6. Hannibal Lecter (The Silence of the Lambs)

In a gorgeous performance, Anthony Hopkins supremely captures the essence and soul of an incredibly intelligent serial killer who not only murders his victims, but eats them. The grotesque violence that the character is capable of can only be spotted in a single scene of the film, but even during the moments where he’s only staring, you can still feel the gravity of just how despicable the character at hand actually is. He probably gets the least screen time of any villain on this list, but he is easily one of the greatest in the history of film.

5. Silva (Skyfall)

Raoul Silva (formerly Tiago Rodriguez) is the most sinister and formidable opponent James Bond will ever acquire. This isn’t some cackling, conniving or cat-petting villain bent on world domination. Silva wants one thing and one thing only, M. He’s a former MI6 agent, M’s “favorite” at his time of service before he was betrayed. He loves M if only because she gives him purpose and hates her for what she’s created in him. He’s a showman and he has fun doing what he does and he’s one of them, he knows all the tricks. Silva is a mastermind, he’s flamboyant, he’s malevolent and he’s completely deranged.

4. Anton Chigurh (No Country for Old Men)

Confident, cold, calculating, silent, creative, determined and soulless. These are just a few words that can be used to describe the brutal killer, Anton Chigurh. His weapons of choice are a cattle gun and a sawed-off shotgun fit with a foot-long silencer, but a pair of hand cuffs would do just fine for this man who will stop at nothing to reach his goals. “People always say the same thing” Chigurh says to a young woman who tells him he doesn’t have to kill her. This is a situation he’s been in before and it’s one he’ll be in again. Killing for him is just as easy as waking up. He is death incarnate in the Coen Brothers’ poetic masterpiece of crime and violence.

3. Col. Hans Landa (Inglourious Basterds)

Col. Hans Landa is Nazi Officer, but he is so much more depraved than any other member of the Third Reich. Unlike the officers and foot soldiers who whole-heartedly believe Adolf Hitler’s poisonous words, Col. Landa is merely a Colonel of the S.S. because he knows it’s in his best interest. He’s a sly detective and easily earns himself the nickname, The Jew Hunter. At the end of the day however, he doesn’t care about the Third Reich’s plot for world domination. He cares about his own personal gain and if that means betraying his entire country than so be it. He just bleeds malevolence whether he’s drinking a glass of milk or strangling someone to death. Hans Landa isn’t evil because he’s a Nazi, he’s a very evil man who happens to wear a Nazi uniform.

2. Bane (The Dark Knight Rises)

Bane can be looked at as the absence of hope. A meeting with Bane, let alone a fight with Bane, would result in anyone’s demise. He’s strategic, tactical, he speaks with intelligence and eloquence, but at the same time he is a complete brute. The mask he wears makes it so he can survive an unbearable pain, but it also serves as a signature look and a reminder of how emotionless and inhumanly evil this man can be.

In order to exact his torture of Batman and the city of Gotham, Bane places himself in a seat of power. He’s a revolutionary warlord, he’s his own General and he’s his own greatest soldier. This is a highly demanding performance and not just physically. Tom Hardy plays the character to perfection. Bane is supremely fearsome, intimidating and though he has a strict regiment and plot, there is no denying his admiration for death and destruction.

1. The Joker (The Dark Knight)

The Joker is unlike any other movie character and villain in the way that he epitomizes pure evil. The Joker is always smiling because there is never a dull moment where he is not doing exactly what he wants, instilling evil into the world. As the dark, crusading, creature of the night Batman is good for the sake of being good. The Joker, a gleeful and colorful clown, is evil for the sake of being evil.

The Joker burns a mountain of money just show exactly how much he doesn’t care about the idea of a motive. “Do I really look like a guy with a plan?” he says to the White Knight, Harvey Dent. Even when faced with opportunities to kill the heroes of the story, he instead attempts to reveal their true colors by giving them opportunities to kill him. He would gladly die doing what makes him happy.

Heath Ledger gave the greatest performance of all time as the darkest and most “unstoppable force” ever portrayed. Despite the fact that The Joker is so fiercely evil, he is very charismatic in the way he is also a clown. Ledger utilizes this trait in creating not only the greatest villain, but the greatest character in all of film. There didn’t need to be some kind of origin story or flashbacks to when The Joker was young. All there was in The Dark Knight was a showcasing of the constant battle between the forces of good and the forces of evil. Anything less or more would have taken away from the perfection.

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Top Ten Movie Gun Fights

Bullets, hand guns, shotguns, machine guns, snipers, shootouts, showdowns and more bullets: add these things in film and what you get are sometimes the best action scenes ever created. Whether the battle involves many people or just two, this is my list of my favorite gun fights in film. I found when making this list that, while a lot gun fights are extremely entertaining, there are many films that used violence and gun fights to emphasize or establish the morals of the story at hand. I like to think I found a good balance between the entertaining gun fights and the powerful ones when I made this list.

10. The Good, the Bad, the Weird

Of the gun fights on this list, this one is the least meaningful for me. I just couldn’t help putting it on this list because it’s so insanely fun. Even more fantastic than the showdown at the end that pays homage to Sergio Leone’s masterpiece is the ridiculous bullet fest through the desert that leads to the climax. The music and the added bonus of it being a chase scene makes it unforgettable.

9. Hot Fuzz

In a brilliant attempt to satirize buddy cop films and action movies in general, Hot Fuzz ends up having one of the greatest action scenes ever filmed in it’s finale. Throughout the film, laughs are had, blood is splattered and the idea that being a cop isn’t all it’s cracked up to be in the movies is established. Then that idea is turned on its head and Hot Fuzz becomes a balls-to-the-wall shootout.

8. The Matrix

I don’t think anything really needs to be said here. I can’t think of the idea of gun fights in cinema with out thinking of the lobby shootout in The Matrix. It was probably the first truly great movie gun fight I ever saw and I love it still. I’ve always had an attachment to The Matrix as movie. I will watch it any time I get the chance and enjoy it every time. The lobby shootout is just one of the many reasons the film is awesome.

7. Taxi Driver

Taxi Driver is a Martin Scorsese masterpiece that is brilliantly punctuated by a bullet-filled and blood-soaked gun fight. Taxi Driver is one of the greatest character studies ever created. Travis Bickle is an incredibly dark and layered character and the examination of this complex character and the hell that surrounds him eventually leads to his baring arms and one of the most disturbing and yet glorious gun fights ever filmed.

6. L.A. Confidential

L.A. Confidential is simply an incredible movie all around filled with rich characters and memorable moments. The most memorable of which is the end of the film and the shootout that takes place. The greatest moment in L.A. Confidential though is the end of the shootout where Dudley says “Hold up your badge, so they know you’re a policeman.” Then protagonist Edmund Exley does the most honorable thing he’s done in the entire film.

5. Saving Private Ryan

Saving Private Ryan is brutal, it’s honest, it’s epic, it’s inspiring and it’s one of the greatest war movies ever created. The D-Day scene in the beginning is nothing short of perfect, however my favorite sequence in the film and the one that makes my list is the finale. While exemplifying the idea that war is hell, Saving Private Ryan manages to tell an excellent story of honor and duty. This story reaches it’s peak when it’s realized what our protagonists will do to actually save Private Ryan.

4. Once Upon a Time in the West

Once Upon a Time in the West is one of the most phenomenally epic westerns ever created and one I would easily call the greatest western ever made had it not been for the creation of a couple other masterpieces. Some might say the best scene in the film is the tense opening scene, which is amazing, but for me the greatest scene of the film is the showdown between protagonist “Harmonica”  and antagonist Frank. Truthfully, the scene speaks for itself.

3. Inglourious Basterds

It is simply common knowledge at this point that Quentin Tarantino loves cinema and always shows his love for his favorite movies in the movies that he makes. Inglourious Basterds drew many allusions from the films of Sergio Leone and like a great Sergio Leone movie Inglourious Basterds has one hell of a showdown. In the La Louisiane  scene, Quentin Tarantino crafts an extraordinary gun fight by building tension not with the music, editing and cinematography that Sergio Leone would use, but with dialogue. Then he ends his showdown in an instant, not with a single bullet, but with a quick and bloody shootout.

2. The Good, the Bad and the Ugly

This is it. This is the showdown that epitomizes the idea of showdown and there was never a doubt in my mind that it would be right here as my second favorite gun fight in film. No film on this list is as beautifully epic as The Good, the Bad and the Ugly. It’s a dramatic, fun and enthralling adventure through the west and it all culminates into one of the greatest gun fights in film.

It’s almost indescribable how incredible this scene actually is. The film was already amazing, but it’s this showdown that makes it a masterpiece. We get to know these characters throughout this adventure and when the inevitable occurs, it’s nothing short of breathtaking. The dialogue is had, the music swells, the characters move and stare strategically, the shots change spastically and BAM!

1. Unforgiven

Unforgiven is the western masterpiece. It’s Clint Eastwood’s best film, it’s the greatest western in existence and it’s one of the greatest movies ever made. Unforgiven tells a simple tale of a ruthless murderer who has long since retired but ends up taking one last job. Unforgiven shows the violent west for what it is and establishes profound ideas of violence and what makes us who we are. What you find in the finale of Unforgiven isn’t just the greatest gun fight, but also one of the greatest scenes in film.

Little Bill Dagget makes for a deliciously ruthless antagonist where as William Munny is simply one of the greatest characters in film. When Little Bill Dagget and the well-known and feared William Munny finally meet what results is with out a doubt one of the most flawless pieces of filmmaking ever. “I’ll see you in hell William Munny,” Little Bill says with as much dignity as he has left and what Munny replies with a cock of his gun and a simple, powerful, and shameful “yeah”. Unforgiven offers a lot of things one which is the greatest gun fight cinematic history.

 

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Top Ten Revenge Movies

One of the most common motives for a character in a film is vengeance. It’s such a common motive that films centered around vengeance have basically become a genre all their own. This is a list dedicated to the films that made revenge into an art form. Its such a classic tale, to see a character wronged and then enjoy the subsequent actions that character takes in order to usually get well-deserved revenge. Here are my favorite films where the act of vengeance are key to drive the plot.

10. Gangs of New York

Martin Scorsese’s gritty look into the lives of gangster’s in 1800s New York was driven almost solely by the fact that the main character, Amsterdam (Leonardo DiCaprio), wanted nothing more in the world than to kill his father’s killer. The sadistic basterd, Bill “The Butcher” Cutting, was played to perfection by the great Daniel Day-Lewis because we wanted him dead almost as much as Amsterdam.

9. Oldboy

Oldboy was able to succeed in doing what no other film was able to do. It was able to take the act of vengeance to the next level. Oldboy tells the tale of a man imprisoned for 15 years and the days after his imprisonment, in which he attempts to figure out the why, the who, and how to best exact his revenge. Oldboy is not for the faint of heart, but if you know what you’re getting into you won’t be disappointed.

8. V for Vendetta

The graphic novel based science-fiction film about the not-so-distant future is nothing short of a masterful act of vengeance. V for Vendetta is such a monumentally enjoyable film that it astounds me. V for Vendetta is amazing in the way that the protagonist isn’t just driven by vengeance, but also justice. The people who wronged V didn’t just wrong him, they wronged a country and they deserve exactly what they get.

7. Sweeney Todd: The Demon Barber of Fleet Street

Tim Burton has made some brilliant films, but none were nearly as good as his dark yet beautiful look into the physical and mental casualties of vengeance. Sweeney Todd: The Demon Barber of Fleet Street is unquestionably the most beautiful of all Tim Burton’s films. Johnny Depp gives the performance of his career as the vengeful barber from hell. This is my favorite musical and one of the greatest tales of revenge ever told.

6. Brick

Beneath the classic detective tale, the mystery and the pitch-perfect references to film-noir, Brick is the tale of a loner getting back at a world who took away the only thing he ever loved. Brick is a truly brilliant crime drama set in the confines of a high school and where that could easily become corny, Brick stays serious and manages to keep you involved until the beautiful ending that you crave for from the second you start putting the puzzle together.

5. Unforgiven

I would just like to make this clear, Unforgiven is the greatest western in existence and one of the greatest films ever made. It is undoubtedly my favorite of the movies listed here, it is however not my favorite tale of vengeance. There’s a lot more substance to Unforgiven thematically and even when it comes to the plot. It’s not a tale driven simply by vengeance, so I am certainly welling to put it at number 5, but the top four spots are more fitting for solely tales of revenge.

4. Once Upon a Time in the West

Sergio Leone’s masterful take on revenge is not only unmistakably brilliant, but also unique. Once Upon a Time in the West is unique in the way that it establishes a truly cold-blooded basterd of a villain in the character Frank (played spectacularly by Henry Fonda), but doesn’t establish that the movie is actually a simple tale of revenge until the final showdown. Frank is one of the most villainous characters ever put on screen throughout, but we don’t know the true extent of his wrath until the second before he’s shot in the chest.

3. Memento

It’s pretty self-explanatory why Memento is this high on the list if you’ve seen the movie and that right there is a statement all its own. Quite honestly, Memento is one of the most original and refreshing films ever concocted. It’s the innovative tale of a man bent on revenge for the murder of his wife, unfortunately that task is made rather difficult due to the fact that he has short-term memory loss. He constantly has to take notes and get tattoos in order to stay on track, but he never knows who he can trust whether that be his best friend or even himself.

2. Gladiator

Ridley Scott’s Gladiator is so utterly pure in its tale of good vs. evil. What you get in the film Gladiator is a hero of almost mythical status, a general who becomes a slave, a slave that becomes a gladiator and the gladiator that defied an empire. You also get one one of the most despicable movie villains in film. There are many villains I love in film, The Joker, Hannibal, Anton Chigurh, Hans Landa, etc. Commodus is not one of those villains. I hate him almost as much as I hate Nurse Ratched and that’s a lot of hate.

Long story short, you basically love Maximus and hate Commodus. You cannot wait until he is able to exact his well-deserved revenge and that’s exactly what you get. Gladiator is a beautifully epic, yet simple film and that quite honestly is what a true tale of vengeance should be. Gladiator is one of the greatest films in existence and is well deserving of a spot on a list of the greatest tales of revenge ever put on the silver screen.

1. Kill Bill

With his blood-soaked masterpiece, Kill Bill, Quentin Tarantino manages to perfectly epitomize the idea of a film centralized by the act of vengeance. There is truthfully no story of revenge that was as magnificent, beautiful and epic as Kill Bill is. Once again, its a generally simple tale, what  you see is what you get. A woman is betrayed, her family killed and due to a bullet to the head, put into a coma.

The people responsible are her former associates and the man she once loved, Bill. After four years in a comatose state, she wakes up and goes on a killing spree with a single agenda, see title. Kill Bill is both a tale of revenge and a journey and like any amazing journey, there are highs, lows, interesting characters and experiences that all lead to a single climax.

The climax in Kill Bill is one you’re forced to crave for four amazing hours and what you get is one of the most satisfying scenes in the history of film. Quentin Tarantino always seems to have a way of creating some of the most memorable moments in film and does nothing short of that when he created the greatest the tale of revenge of all time. Kill Bill is one of my favorite films in existence and can’t be described in a greater way than to say that it is without a shred of doubt the greatest tale of revenge ever told.

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Top Ten Movie Deaths

I pondered for a while about how to preface this list, but its pretty self-explanatory. Death is a pretty beautiful thing when it comes to cinema. There are deaths in film that, when due to great performances, direction and writing, you get unbearably powerful moments. This is a list of those deaths. This is a list dedicated to my favorite deaths in film because of their meaning and power, not necessarily the ones that are remembered in cinema history as classics, such as the shower scene in Psycho or King Kong falling off the Empire State Building. While those are amazing moments in film, they just didn’t affect me like the deaths in this list.

 

!!!SPOILER ALERT!!!

 

 

!!!IF YOU HAVEN’T SEEN ONE OF THE MOVIES LISTED, DON’T READ INTO IT!!!

 

 

!!!SPOILER ALERT!!!

 

10. John Doe (SE7EN)

There aren’t many moments that you can truly say, based on their content, leave you gasping for air. The death of the villain, John Doe, in SE7EN is undoubtedly one of those moments. We never see this character until the end of the movie, but nevertheless, we fear him. We get to know the detectives on the case and we keep guessing what the end could be. What we do get is fantastically dark and real. If you’re looking for a prime example of a villain winning, this is it.

9. Ra’s Al Ghul (Batman Begins)

The death of Bruce Wayne’s mentor and eventual enemy is an undeniably memorable one. What makes this death such a spectacular one is in the way that the wise leader of the league of shadows attempts to gain dignity from his death with the line “Have you finally learned to do what is necessary?” He’s trying to show that he’s actually taught the man known as Batman very well. Batman shows the true colors of both characters with his reply, “I won’t kill you, but I don’t have to save you.”

8. Lester Burnhum (American Beauty)

What makes Lester Burnhum’s death so awesome isn’t the actual death itself. Lester’s death is made significant based on the events before and the magnificent final monologue of the movie. You find out right in the beginning that this character we’re being introduced to is going to die by the end. It’s not the “what” that we’re interested in because we know what’s going to happen, what we are concerned about are the “who” and the “why”. We get the answers we need and few things in film are as pleasing.

7. Tyler Durden (Fight Club)

Fight Club is one of my favorite films in general so it was really a no-brainer when it came to putting the stunning death of one the greatest characters in film on this list. The relationship between the Narrator and Tyler Durden is one of the most special and interesting ever filmed. Throughout Fight Club we get to know these characters and know them well. By the end we know what has to happen and the death of the final scene which results in the death of Tyler Durden completely blows me away  every single time.

6. Frank (Once Upon a Time in the West)

It seems that because of Sergio Leone’s brilliant film, “The Good, the Bad and the Ugly”, his other masterpiece, “Once Upon a Time in the West”, is often overlooked. I do slightly prefer “The Good, the Bad and the Ugly”, but there is one aspect of “Once Upon a Time in the West” that is better and that is in the black-hearted villain, Frank. He’s one of the most despicable villains ever filmed and there are few moments in film that are as satisfying as the realization of the extent of his wrath and his immediate death right afterwards. Truly breathtaking cinema.

5. Maximus Decimus Meridius (Gladiator)

At the heart of the epic film Gladiator is a tale of well-deserved revenge. We fall in love with the protagonist Maximus and we grow to hate the villainous basterd he’s aiming to kill. Now that begs the question, why wouldn’t I put the satisfying death of the villain Commodus on this list? The reason is because the more emotionally powerful death belongs to Maximus Decimus Meridius. Yes, Commodus needs to die and burn in hell, but now Maximus’ mission is complete. His death was necessary because now he can go live in peace with his son and daughter in the afterlife.

4. Little Bill Daggett (Unforgiven)

Unforgiven is a western centered on the two characters William Munny and Little Bill Daggett. Throughout this masterfully crafted film we learn the true natures of both characters and learn that the line between right and wrong isn’t always clear. Not till the very end of the film do the two characters finally meet and the better man is established. “I’ll see you in hell William Munny,” Little Bill says with pure honesty and hate in his eyes and before William Munny fires the final fatal bullet into Little Bill’s head, he replies with a sorrowful, “Yeah”. It’s one of those moments in film that make movies worth watching.

3. Roy Batty (Blade Runner)

“I’ve seen things you people wouldn’t believe…” is the start of one of the greatest movie quotes ever put one screen and the beginning of the final words of the character Roy Batty. Blade Runner is a film that asks many of life’s big questions, but those questions don’t come to true and beautiful light until the final encounter between protagonist Rick Deckard and philosophical replicant Roy Batty. It’s the most powerful scenes in film.

First, Roy just toys with his advisory and when Rick tries to escape by hopping to another rooftop he isn’t able to make it and nearly dies. The true nature of the character Roy is shown when he is able to make the jump easily and save Rick, but not before he puts Deckard’s mission in life into perspective, with the line “Quite an experience to live in fear isn’t it? That’s what it is to be a slave. Then he utters his memorable final words and reaches the end of his time.

2. Col. Walter E. Kurtz (Apocalypse Now)

Apocalypse Now is, without a shred of doubt, a staple in the art of filmmaking. While, the death of Col. Walter E. Kurtz is a triumph all its own. The main character, Captain Willard, is sent on a mission deep into cambodia in order to find and terminate a renegade Colonel who has taken command over the locals. We are taken on a journey into the true meaning of madness and on the way our anticipation grows like Captain Willard and all we want to do is finally meet Col. Kurtz.

Because of a truly brilliant performance by Marlon Brando, every single line Kurtz utters is memorable and resonant. That goes especially for one of my favorite movie quotes, his powerful last words, “The horror, the horror.” On my first viewing of the film, right at that moment I thought to myself, “this is one of the greatest films ever made”. And it truly is. From the beginning, Apocalypse Now promises an amazing climax and gives you just that. It was difficult for me not to put this in the number one slot.

1. Bill (Kill Bill)

Look back at numbers 3 and 2 of this list and you’ll notice that they share something with number 1. All three movies have generally simple tales, sure like all great filmmakers they establish deeper meanings, but the structure is simple. Rick Deckard, a retired Blade Runner is sent on a mission to kill four replicants (androids) led by Roy Batty, Captain Benjamin Willard is sent into Cambodia to kill Col. Kurtz and Beatrix Kiddo is out for revenge against her former boss and lover Bill.

From the beginning, we know, if we are to be satisfied that is, that Roy Batty, Col. Kurtz and Bill will die. There are many examples of films where we know what might happen at the end, but we want to know how our hero will get there and how exactly they’ll do the deed, whether its Frodo throwing the ring of power into Mt. Doom or Batman saving Gotham from the evil clutches of the Joker. In this case, we’re talking about deaths in film and no death is as magnificent and significant as the death of Bill in the 4-hour-epic Kill Bill.

What makes Bill’s death profound, innovative and beautiful is the unconditional love shared between the two warriors. Their fight is inevitable and both, Bill and Beatrix, realize that one is going to die, while the other will live on, but that doesn’t mean they still can’t care for one another. And in the end, Bill isn’t stabbed or shot, no, that wouldn’t satisfy. Instead Beatrix perform’s something called the five point palm exploding heart technique, which makes your heart explode from the inside after you take five steps. This allows him to have a few words with the love of his life, take a deep breath, button his coat and walk with dignity to the greatest movie death in film history.

Top Ten Movie Quotes

A list of my Top Ten Movie Quotes is a Top Ten list I’ve been meaning to make for a very long time. The reason I’ve held off from doing so is because of how truly difficult it is to make this list. I love movies and there’s a lot of them, but I also love movie quotes and there’s even more of them, but I’ve finally decided on a list that fits my preferences.

Before reading this, I’d like to make it clear that on this list you won’t find any extremely famous movie quotes like “Here’s Johnny!”, “Say hello to my little friend.” or “Frankly my dear, I don’t give a damn.” While quotes like those are fantastic and undoubtedly iconic, their not as meaningful to me. Also, for the most part, those quotes are a lot shorter than what a truly powerful quote usually is. Most of my favorites are monologues. That being said, I’d like to get into it. Here are my top ten favorite movie quotes:

10. “The horror, the horror.” -Col. Kurtz (Apocalypse Now)

One of the most famous movie quotes of all time is, “I love the smell of napalm in the morning”, but if you ask me. Its not even the best quote in Apocalypse Now. That quote pales in comparison to Col. Kurtz’s final words. His death is one of the most iconic ever put on screen and when he speaks those last words my heart is pounding every time.

9. “Keep your lovin’ brother happy.” -Frank (Once Upon a Time in the West)

Henry Fonda’s character Frank in Once Upon a Time in the West is one of the most cold blooded basterds ever put on screen. We don’t learn the true depth of his villainy until the final showdown of the movie and we here him say that line as he smiles and performs one of the most despicable acts a movie villain ever has.

8. “I’d always heard your entire life flashes in front of your years the second before you die. First of all, that one-second isn’t a second at all. It stretches on forever like an ocean of time. For me, it was lying on my back at boy scout camp watching falling stars and yellow leaves from the maple trees that lined our street or my grandmother’s hands and the way her skin seemed like paper and the first time I saw my cousin Tony’s brand new Fire Bird, and Jannie, and Jannie, and Carolyn. I guess I could be pretty pissed off about what happened me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once and it’s too much. My heart fills up like a balloon that’s about to burst. And then I remember to relax and stop trying to hold onto it. And then it flows through me like rain and I can’t feel anything but gratitude for every single moment of my stupid little life. You have no idea what I’m talking about I’m sure, but don’t worry. You will someday.” -Lester Burnhum (American Beauty)

There have been many movies that have tried to encapsulate the entire meaning behind the movie with just one final monologue. No other movie was able to do it quite as well as American Beauty did. In just one final monologue,   Lester Burnhum (Kevin Spacey, who recieved a well-deserved oscar) reflects on his life and the “beauty” in the world. Its a quote that is mind-numbingly deep, memorable and above all, beautiful.

7. “I won’t kill you, but I don’t have to save you.” -Batman/Bruce Wayne (Batman Begins)

Batman Begins is a masterpiece of a movie that tells the origin of the cultural icon Batman, directed with dark realism by Christopher Nolan. With this one, short line, the very essence and character of the man most call Batman, is captured. Its literally breath taking every single time when the villain Ra’s Al Ghul says “Have you finally learned to do what is necessary?” and Batman gives one the greastest responses in film history.

6. “We all have it comin’, kid.” -William Munny (Unforgiven)

Unforgiven is one of my favorite movies of all time and by far the greatest western ever made. With just this six word quote, not only is the nature of the film captured, but also the idea of the true west in general. First, Munny says the powerful line, “Its a hell of a thing killing a man, take away all he’s got and all he’s ever gonna have.” The Schofield Kid responds with a cold, “Well, I guess he had it comin,” to which Munny responds with one of the most meaningful quotes ever put on screen.

5. “I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the tannhauser gates and all those moments will be lost in time, like tears in the rain. Time to die.” -Roy Batty (Blade Runner)

Roy Batty’s enigmatic “tears in the rain” quote is by far the greatest last words ever put on screen. The quote might not sound like much when you read it, but to here him utter those final words is absolutely beautiful. The replicant Roy Batty is one of the greatest movie characters in general and his final monologue is undoubtedly one of the greatest quotes ever put into a film.

4. “I mean if I had my way, you’d wear that goddamn uniform for the rest of your pecker suckin’ life. But I’m aware that ain’t practical, I mean at some point your gonna have to take it off. So, I’m gonna give you a little something you can’t take off.” -Lt. Aldo Raine (Inglourious Basterds)

Inlgourious Basterds is one of the greatest films ever made. It just builds and builds to what is, to me, the greatest ending in the history of film. Not much is as satisfying as seeing one of the most villainous characters on screen get exactly what he deserves and its Lt. Raine’s fantastic quote that is the absolute perfect set up for what is about to happen. Because of the events that transpired in the hours before hand, we know exactly what’s about to happen to the basterd Col. Hans Landa and I can never help but getting a feeling of pure solace as Aldo utters this quote.

3. “I know. It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn’t want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going. Because they were holding on to something.” -Samwise Gamgee (The Lord of the Rings)

The Lord of the Rings is the very definition of the word epic. Just hearing the very word makes me immediately think of The Lord of the Rings. There are an endless amount of amazing scenes and moments, but the greatest quote in the entire trilogy and one of the greatest in existence is Sam’s monologue at the end of the The Two Towers. I’m litrally almost brought to tears every time because of how emotionally involved I am with the film during that quote. I get goose bumps every single time I hear it uttered.

2. “You… you just couldn’t let me go, could you? This is what happens when an unstoppable force meets an immovable object. You truly are incorruptible, aren’t you? You won’t kill me out of some misplaced sense of self-righteousness and I won’t kill you because you’re just too much fun. I think you and I are destined to do this forever.” -The Joker (The Dark Knight)

The Dark Knight is by far my favorite movie in existence, while The Joker is undoubtedly my favorite movie character. With this quote, the very essence of the reasoning behind my love for the film and the relationship between Batman and The Joker. Its one of the greatest quotes in film and it was incredibly difficult for me to put it in the second slot. This is my favorite quote that is uttered by my favorite movie character in my favorite movie of all time and it deserves nothing less than my undying praise, but I had to give it the second slot because of my unconditional love for the next quote.

1. “Well there’s this passage I got memorized. Ezekiel 25:17. The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who in the name charity and good will shepherds the weak through the valley of darkness. For he is truly his brother’s keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger, those who attempt to poison and destroy my brothers. And you will know that my name is the lord when I lay my vengeance upon you. I’ve been sayin’ that shit for years and when you heard it, that meant yo’ ass. I never gave much thought to what it meant. I just thought it was some cold blooded shit to say to a mother fucker before I popped a cap in his ass. I saw some shit this morning that made me think twice. See now I’m thinkin’ maybe it means you’re the evil man and I’m the righteous man and Mr. 9mm here, he’s the shepherd protecting my righteous ass in the valley of darkness. Or it could mean, you’re the righteous man and I’m the shepherd and its the world thats evil and selfish. Now I like that, but that shit ain’t the truth. The truth is, you’re the weak and I am the tyranny of evil men, but I’m tryin’ Ringo. I’m tryin’ real hard to be the shepherd.” -Jules Winnfield (Pulp Fiction)

Pulp Fiction is one of the greatest movies of all time and to tell the truth, when it comes the writing, its undoubtedly the best. In his greatest performance, Samuel L. Jackson plays the fantastic character Jules Winnfield and in what is the greatest scene in film history, he says the greatest quote in the history of film. Many people love the Ezekiel 25:17 Bible verse and don’t get me wrong, I love it too, but its basically nothing without Winnfield’s unforgettable examination behind the meaning of the words. No monologue, line or quote gets me nearly as emotionally involved in the film at hand than this one. I truly don’t see it ever being surpassed. Not even my favorite movie/character was able to do that. Jules Winnfield is unquestionably the holder of the greatest movie quote of all time.

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Top Ten Cinematic Enemies

From the very beginning of film there have always been enemies or rivalries at the core of any story. Whether its a cop and a robber in “The Great Train Robbery” or Luke Skywalker and Darth Vader in “Empire Strikes Back”. Sometimes these enemies can best be described as good vs. evil, but not all stories are that black and white. Each has a side to root for, each is unique in its own way and this is a list of my ten favorite.

10. William Munny and Little Bill Daggett

Unforgiven is one of my favorite films of all time. The entire movie centers on the two stories of William Munny and Little Bill Daggett. In the archaic, dying west, a story is told of two men who helped shape the violent worlds around them and their eventual meeting. Its a beautiful film with one of the greatest climaxes in film.

9. Alfred Borden and Robert Angier

At the center of Christopher Nolan’s masterpiece of deception and magic is a rivalry between two magicians. The dark story that unfolds between these two characters is nothing short of breathtaking. These character’s obsession with one-upping each other eventual leads to fatal tragedies. You won’t want to blink at the risk of missing something.

8. Juror #8 and Juror #3

Guilty or Not Guilty? That is the question that 12 Angry Men asks from the beginning, but what drives this tale are two men who will fight for their side till the bitter end. Each character in this film is unique and brings something to the story, but what it all comes down to is a rivalry between one man who argues “not guilty” from the very beginning and one man who will argue “guilty” regardless of reason.

7. The Bride and Bill

The four-hour epic, Kill Bill, would be nothing without its two main characters; Beatrix Kiddo and Bill. What makes the relationship between Bill and Beatrix so unique is that even though they know in their hearts that one of them has to die, they still feel an unconditional love for each other. This relationship leads up to one of the greatest deaths in film.

6. Antonio Salieri and Wolfgang Amadeus Mozart

Amadeus is one of the greatest films ever made and that’s because of the relationship that it centers on. It’s a tale of the mediocre composer Antonio Salieri and his professional rivalry with world-renowned composer Wolfgang Amadeus Mozart. The relationship is interesting in the way that Mozart isn’t even aware of Salieri’s deep-seeded hatred towards him. Its truly an amazing film.

5. The Man with the Harmonica and Frank

Once Upon a Time in the West is one of the greatest tales of revenge ever told. What’s beautiful about this story is that we don’t even come to realize what our hero is attempting to take revenge for until seconds before he gets it. It’s an interesting way of telling a story and it works perfectly. We realize what a cold-blooded bastard Frank is throughout the movie, but we don’t truly understand his menace until he comes face to face with The Man with the Harmonica.

4. Maximus and Commodus

The epic known as Gladiator is driven purely by a tale of deserved vengeance. When watching Gladiator, we went nothing more than for the hero Maximus to succeed in his quest for killing the the ruthless emperor Commodus. What you get in Gladiator is a character you absolutely love and and a character you absolutely hate and when they are mortal enemies it makes for an exhilarating film experience.

3. Daniel Plainview and Eli Sunday

In most films there is a clear cut good guy and a clear cut bad guy. Some of the most interesting rivalries come from films when that’s not so clear. Films such as The Prestige and Amadeus are examples of that, neither of the characters in those stories can be established as the good guy or the bad guy. What makes There Will Be Blood so interesting is the way it tells a tale of the rivalry between two unquestionably terrible people. The story of hatred that unfolds is a truly amazing one to watch.

2. Randall Patrick McMuphy and Nurse Ratched

The heart of the masterpiece that is One Flew Over the Cuckoos Nest lies in the relationship between R.P. McMurphy and Nurse Ratched. There is no movie character in the history of film that I feel more hatred towards than Nurse Ratched. And to watch the battle of wits between her and the free spirited Randall Patrick McMurphy is nothing short of one of the greatest film experiences ever. The battle between the two is the battle between being yourself and conforming to the whims of the powers that be and its really quite beautiful.

1. Batman and The Joker

No other pair of enemies has ever been able to give as much poetic justice to the battle of good and evil than the never-ending battle of Batman and The Joker. Batman is pure good, while The Joker is pure evil and they are now and always will be mortal enemies. The genius behind their relationship is in the way that neither will kill the other.

Batman won’t kill in general especially not The Joker, because that’ll be giving The Joker exactly what he wants; for Batman to reach his breaking point. The Joker will kill anyone except Batman because “he’s too much fun”. They need each other in order to have purpose as does good and evil. They “complete” each other as The Joker says. The story of the epic and constant battle between Batman and The Joker epitomizes the term good vs. evil.

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